Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
This is a pen and watercolour painting done as a proposal for a competition to do a mural painting in a community centre. This was back in the late 90s. I was beaten out by a contemporary artist who painted the wall with four strips of colour, which could have been done in a matter of hours. The community centre was predominantly filled with local kids. I felt so sorry for the kids. Not once did any of them look at the "mural" and when I asked what they thought of the painting on the wall, they said, "What painting?"
An intuitive mix of fluid watercolor gradients and intricate fineliner patterns, wrapped up in a golden border. A little bit biological, a little bit whimsical.
Theo Von, is an American stand-up comedian and podcaster. He hosts the This Past Weekend podcast. He has appeared on MTV and Comedy Central shows. Pencil illustration colored digitally in Procreate.
Hey Boos! Yes, it is true, I am a sans au fan. FOr the record I don't ship them (I ship cream ((cross and dream)) and I don't ship epic with anyone) these guys are soooo silly and they are besties (yes there are spaces missing because lasso tool and I was too lazy to fill them in)
A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.
