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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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Akene Prince Jesse Akene Prince Jesse
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Flower princess

Inspired by flowers.

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David Laferriere David Laferriere
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Creamsicle

Did you know August 14 is Creamsicle Day? Now you know. I’ve been drawing on my kids’ sandwich bags since 2008

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Jennifer Mallory-Welch Jennifer Mallory-Welch
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Dockside Fishing

Acrylic on 8 x 8 inch canvas

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Federico Federico
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Ink drawing on wood

I've been drawing on wood again. A bigger format than before at 8 inches, I'm still exploring these denser, looser drawings. ·

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David Laferriere David Laferriere
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Floating Ice Cream Cone

Part of a series of Sandwich Bag Art I’ve been doing since 2008

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » La Joconde de Léonard de Vinci

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Dallas Johnson Dallas Johnson
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Zodiac Series 1: Taurus

Starting a series of creating characters off the 13 Zodiac signs. Including Ophelius the Snake Charmer.

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Leah Lucci Leah Lucci
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Watercolor and Linocut illustrations
1/5

Due to financial/logistical reasons, I can't do literal linocuts as often as I'd like, so I draw my illustrations in reverse, flip them digitally, have them printed, and then color them in by hand. The result is basically an "artist's print". I only make one of each. These were watercolor, but I've recently discovered gouache, so keep an eye out for future pieces that incorporate that.

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José Pablo José Pablo
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Midnight Sketch I

It's been some time since last I draw. So any advise (or harsh critics) would be welcome.

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Carolyn S. Pio Carolyn S. Pio
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Eye of Newt - 2

Horizontal pupils are fascinating. Have not figured out the function but did find out that Newts are able to regenerate limbs - including the lens of its eye!

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VioArts VioArts
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Grumpicorn

Been playing with something new for the grumpicorns! If anyone has some my little ponies they don't need, I will gladly take them off your hands! Also! This weekend I will be at @halloween.in.summer.festival out in magna! Come by! Say hi! All ages trick r treating! You don't want to miss it! Saturday the 29th! #viowolf #vioart #vioarts #vioartstudio #vio #art #artist #grumpy #Grumpicorns #halloweeninsummer #magnautah #monsters #creatures #spooky #Halloween #sculpture #customtoys #darkart #horror #cutebutscary #trickrtreats #supporlocalartists #supportlocal #shoplocal #resincasting #artprints #artistoffacebook #artistofinstagram #artistoftumblr #instagramstories

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Safiera Wulandari Safiera Wulandari
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Sonia

Oh how I miss using watercolour again! Been awhile since the last time I used this medium because now I draw with digital technique more often than the traditional ones.

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Old bone story and artwork Old bone story and artwork
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The door keeper between life and death, a fantastic short story with a proper picture, outsider painting

A3 format, acrylic, mixed technique We sat around the campfire, talked about everything a bit when someone asked: - Can you tell us your thoughts about death? Old Bone is pulled pipe from the backpack, filled it with tobacco and lit. We have been waiting patiently for the response of this unusual being, deep age, and great living experience. - Everyone would like to know the truth about death, whether it is the full end of life or a new beginning, " said Old Bone - It is wiser to ask questions about life, the purpose of life, and keeping the spark. Truly, few are looking for the truth about life. I believe that with only the complete knowledge of life, one can perceive what is happening after death.- - How to explain the messages of the dead through the media, learning religions about reincarnation, heaven, and hell, eternal life, testimonies of survivors of clinical death? - Fraud and delusions, speculation - calmly replied Old Bone - You must know one thing: there are doors between life and death, The Door Keeper will never let the living know what happens after death. The secret of death only he knows - and that's enough. I think life can only survive this way.

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erik cheung erik cheung
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Disintegration

Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.

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LeBoucher LeBoucher
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Nathanaël de Rincquesen

Réalisation du portrait de @Nathanaël de Rincquesen dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

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Carolyn S. Pio Carolyn S. Pio
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Tree scape

A piece from my vernal pools/treescapes studies I have been working on in correlation to my interest in local creature found in our woodlands. I adopted the use of a circle one night, wanting to frame out an idea/sketch and a wine glass happened to be close by. Since then I have used it often, loving the circle aspect.

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Jana Cechova Jana Cechova
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Cinclus

Coloured pencils in combination with an Indian ink

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ESS22 ESS22
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Little Red Rose

I love working tiny! So, making my artwork featuring roses or alternative girl figures is best on 2.5x 3.5 inches, or an art card/ACEO!

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David Laferriere David Laferriere
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Ice cream cone

Octopus enjoying an ice cream cone. Part of a sandwich bag series I’ve been doing since 2008.

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Catherine Meyer Catherine Meyer
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Lake

I've been inspired by mountains, trees, and wildlife in general since moving to New Zealand. It's a new feeling and I like it.

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ESS22 ESS22
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Burn Her

In honor of fake news, witch hunts, gaslighting, and might makes right... This ACEO is available for sale on my Etsy store. Hand-cut watercolor paper measuring 2.5 x 3.5 inches in size, unframed, handpainted with ink and coffee wash.

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Matthew Konicki Matthew Konicki
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Mermay Day 16: Important

Mermay Day 16: Important - Octavius the octopus hasn't been the same since the drunk cargo ship captain ran aground on his reef...

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Old bone story and artwork Old bone story and artwork
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Art Gallery assheads of the World of Fantasy, with a story about the King of the Dwarves, outsider picture

It's always fun to come to the Art gallery of the assheads, marginal artists of the World of Fantasy. Today I have seen the picture you are looking at, it made me interesting, as more people worked on it, not considering the picture as a whole, nor the work of its predecessors. Then, out of a large cardboard box, an old man came out and came to me. There were two big holes in the box, so I realized that the guy was looking at me from the box for a while. - Do you like the picture? - he asked. His eyes, red from lack of sleep, staring at me. On the old clothes he wore on himself, there was a stain of color. - I was impressed with - I said cautiously, knowing the unpredictable nature of people who deal with art - Did you do it? His face was stretched into a smile, a few teeth that he had left, flashes from the mouth cavity. - Yes - proudly erect his chicken breast an old man - Inspiration wore me all the time! He looked at me with a look that required my other questions about the image, need to tell any story, to anyone, about his work, was in it taut like a catapult. - What inspired you? - I ask the old man, and he barely welcomed the question and said: - Last week I was visiting my friend Jergon, the King of the Dwarves. (His statement that the mighty King of the Dwarves his friend was so incredible, that it must have been true. Assheads usually have unusual life stories.) "It is well known to you that the dwarves appreciate their privacy, keep their place of residence confidential and may be ruthless if you disturb them. As a friend of Jergon, "the old man says," I have surely passed the territory of the dwarves. As I approached his home, I noticed more and more than the vicinity of his underground apartment - in the old roots - was edited by the gardening techniques of the dwarves. Dwarves worship their king and their nature makes them do something for him every day. For example, to clean the weed and planted rare plants and flowers around his house. Some day they polished the old root under which the King lives. So the environment of his house went out completely artificial, unnatural. The king is angry because he now has no privacy, his home has become like a public park, sweet hide, dear dwarves, was taken away from him. He told me. "Dear friend, if you think it's nice to be a king, you are not right. Everything has its own price." This visit inspired me to paint this work. - I nodding my head as if to understand how much potential was in that situation, so inspiration was a natural consequence. - Art freedom is expressed here - I said to the old man - maybe with the King of the Dwarves, on it, the picture was even more effective. The old asshead looked at me strictly and asked: - Did you see the King of the Dwarves? "I did not even see an ordinary dwarf," I admitted. The old man looked at me for a moment or two with a disappointed look, then he turned and entered the box. I felt a look from the box on my back as I left the gallery.

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Marc De Grace Marc De Grace
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Bobcat serenity

This painting was developed from a photo shoot at Presquile Provincial Park in Ontario, Canada. The bobcats were designed and posed by myself. The details of the fur were from research.

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David Laferriere David Laferriere
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Dancing Chicken

Quick drawing of a dancing chicken, part of a sandwich bag series I’ve been doing since 2008

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David Laferriere David Laferriere
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Frog Jumping

May 13 was Frog Jumping Day, thanks to Mark Twain. This is part of my sandwich bag art I’ve been doing since 2008.

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Matthew Konicki Matthew Konicki
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Tranquil

Tranquil - Been doing a sketch a day challenge since the new year, this is from april 30th. done in water color.

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Matthew Konicki Matthew Konicki
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Shy

Ive been doing a sketch a day since jan 1, this is the drawing from april 2. watercolor and pen - prompt: Shy

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Sarah Lee Sarah Lee
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Yellow Raincoat

Experiencing some gloomy days..

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