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SEARCH RESULTS FOR

ish

Isac Galvao Isac Galvao
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Fish3943b

Black and white drawing.

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Emra Nation Emra Nation
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Unfinished Sun Valley

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AKU NAPIE AKU NAPIE
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Girl with seafood

Ink on a4 paper. I do girl with seafood robot thing. Take me 40 minutes to finish it. Have a good day.

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Nancy Patton Wilson Nancy Patton Wilson
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Colette

“You will do foolish things, but do them with enthusiasm.” ― Colette

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Rubina Rubina
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Sergeant Major

The fish series

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Oscar Oscar
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Sarah Fisher

https://www.instagram.com/arte_ozgaleano/ https://ko-fi.com/ozgaleano https://www.fiverr.com/users/oscargaleano https://linktr.ee/oz_galeano

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Jennifer Burch Jennifer Burch
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Ink - Glasses

Emulation of Janet Fish's art style in ink form. Done with rapidograph pens and gouache (flat black).

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Rubina Rubina
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Redsea Bannerfish

The Fish Series

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JaRobyn Singletary JaRobyn Singletary
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Rhino

This image was completed in graphite and black pastel with a matte finish.

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Barbara Alessandrello Barbara Alessandrello
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Geisha

Mixed medium

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JaRobyn Singletary JaRobyn Singletary
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Unfinished

This drawing is of a slightly older individual and the rendering is deliberately incomplete. The unfinished nature of the image alludes to the idea that although aged, the individual has not reached the end of their lives. Therefore the subject has more living, growing, and maturing to do.

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Kashvi Marwah Kashvi Marwah
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LORD KRISHNA

"ART ENABLES US TO FIND OURSELVES AND LOSE OURSELVES AT THE SAME TIME." MY ART DEFINES THIS LINE........

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Amanda de Vries Amanda de Vries
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Fish in the clouds

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Rubina Rubina
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Redback Butterfly

The Fish Series

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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Karim Alaa Karim Alaa
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Couple

My english is bad sorry .. I used only two pencils and it take about 7 hours to be done .. i just want to tell me im good or bad artist ..

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Jennifer Mallory-Welch Jennifer Mallory-Welch
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Dockside Fishing

Acrylic on 8 x 8 inch canvas

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Isac Galvao Isac Galvao
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Fish series.

Fish series drawing work.

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Kevin Loftus Kevin Loftus
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The Archbishop of the Toadstools

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rizal rizal
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Rabbit-Duck Reality proto-sketch

First sketch for my finished artwork. I revise the head on the left to rabbit + duck and human head on the right.

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Hilary Lea Hilary Lea
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Irish Cottage

Watercolor paper 140Lb. Cold Press

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Kathryn Shuff Kathryn Shuff
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Hes a Big Boi

Commission Piece I finished recently. Drawing someone's fluffy maine coon may be one of my favorite things I've done recently.

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Amanda de Vries Amanda de Vries
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Screen printing the ocean

Jellyfish layers, screen print

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Nom De Guerre Nom De Guerre
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Scottish Drummer

Ink and colored pencils on paper

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rizal rizal
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Embrace - fish

Old Sketch

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe

Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Cookie Monster Cookie Monster
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Koi the mermaid

Pencil, colored pencil & pen on sketchbook paper

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Lorelei Ross Lorelei Ross
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Billie Eilish (duh)

If you get the reference in the title, yay you. If you didn’t, don’t feel bad, because I only discovered Billie in May. I am a devoted fan, as you can see. Anyway, I used sharpie, alcohol marker, and maybe a little too much pencil and ink...

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Woman with a book - 1923 de Fernand Léger

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Anlly Anlly
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EL AND MAX

Finished the last season! I gotta be honest, I cried.

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