That time when Samwell Tarly tasked himself to save Ser Jorah Mormont from greyscale. It was not an easy task since it requires the removal of one scale at a time! Also every time the scale was removed, the skin oozes, so yeah, not a very pleasant sight! In the beginning, it would make Sam woozy or dizzy, but he was able to complete the task!
Spirals added for embellishment of course! This was oddly chosen for adobeawards stories feature. It was pretty cool that they animated the piece tho! *I have already completed the entire Inktober- you can check it out on my IG account: @dittofunkysketch123 :D
Ancient - The Children of the Forest were around are ancient, mysterious non-human race that long existed and inhabited Westeros way before the arrival of the First Men; 12,000 years before Robert’s Rebellion, according to GoT wiki!
This was inspired by the incredible makeup and costume done on the tv show with a little bit of embellishment on my part!
I haven't had time to draw in a long time because of school and other personal projects, but I recently finished this doodle. There's a color version of it that I'll upload tomorrow.
The black woman of the Wittelsbach family is a ghost haunting the Schleißheimer Castle. She was a widow who killed her own children because of an misunderstanding. The man she loved told her they cannot be together because of 2 pairs of eyes. He meant his parents wouldn't agree the relationship. Horrified by her cruel act she was thrown in the dungeon and died there. To this day she still said to be roaming the castle.
I wish I had more time to redraw this, I'm learning construction with this piece. While I'm satisfied that I have made improvements in learning about the human form, this still just looks bad. Due to lack of time, and practice. I'll get better with time and patience.
Every working day, I post what I call a #legobiscuit to my Instagram here: instagram.com/legotrip
The best of these eventually get the full Photoshop treatment.
People Say That There's Plenty of Fish in the Sea, But Thanks to Unsustainable Consumerism, That's No Longer True.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Working on inking this sketch today. I have so many sketches from finished projects, I figured they'd make good practice to refine my line work. I'm also recording another time lapse video showing this process
This was the very first mermaid illustration that I've created for my business called Dream Pigment. I ran a small print run of this image and have sold this at comic book conventions and art events.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Things just happen? Or is there a hidden subconscious initiative that I have to finish one for my cellist friend ....a year previous to meeting her again at the art walk? Has this ever happen to any artist here?
Remake : Francis Bacon – autoportrait
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
A3 format, acrylic, felt pen, colored pencils
Visual artists from the World of Fantasy are familiar with these creatures who are alive to every creator. Their court cannot be affected, there is no way to deceive the inner voice that knows the truth, created by the Observers. When the artist starts with some work, they appear, at first in a small number. At the end of their work, eg some pictures or sculptures, and especially when finished, their number is significant, they carefully study the artwork, and if they see a mistake, disharmony, lack of emotions, etc., dissatisfied will grumble somewhere inside artist's insights. The artist will feel that his work is nothing special, similar to many other artistic attempts that disappear in the dark of forgetfulness. Some spark is missing in his artistic creation, which would do its job gave a life that lasts. The disapproval of the Observer, their unpleasant resonance, if frequent, it can make a more sensitive artist to dump the brush and consecrate himself a completely different job, in which self-criticism does not play a significant role.
Français : Réalisation du portrait de @Anaïs Baydemir dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. English : Realization of the portrait of @ Anaïs Baydemir as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory. https://www.pierretomyleboucher.fr
French : Réalisation du portrait de @philippe-collignon dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. English : Realization of the portrait of @ philippe-collignon as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory.
