King Olaf the Forgetful did eventually find his golden helm, in a gully behind his castle. It was just a shame the Crusade of the Lost Helm had led to every neighbouring land being ransacked first.
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
It's been a hot minute. I was taking myself too seriously until there was no fun in drawing left. So I had a break, then bought myself some chunky kids' markers and voilà!
I wanted to draw Ash but without his bat features. Ash takes on bat like features in his orignal concept. I will be keeping those features, because I like how it looks. Every color I used in this picture was used for a reason. I had to do some research, so the colors would reflect is personality and his role he plays within the world in which I created him in.
Colors with purpose:
-Purple
-Green
-Red
-Orange
August pictures...
Highlights include spending time on a lake with beloved friends, a chukar (a partridge native to Asia) walking into Home Depot and a happy young woman in a beautiful red dress in a subway. I love watching people in subways (and everywhere else).
#dailydrawing
This painting is based on an empty street at noon, when the sun is right above us scorching heat. the street look empty looking for a shade. I chose to show the street at 2pm where the sun slightly leans towards down.
The whole painting is done on parallel lines. If you notice closely the lines of building and the road meet parallelly.
For this fifth day of this week about pets today it's the turn of Phineas and Ferd's pet platypus, who although he seems like an animal that doesn't do many things, he's actually a secret agent when no one's looking, none other than Perry the platypus
A true doodle? Messing around with some markers. I think this character was originally supposed to be a HH OC, but wound up looking more like some reject from an 80's cartoon (which is acceptable to me lol).
"There is," said the marzipan pig, "such sweetness in me!"
"The Marzipan Pig" by Russell Hoban is one of my favorite books. During the pandemic, @pgoedi from @communitybookstore read it and I drew it. Found it again and wanted to share it.
This makes me want to draw live again. It is such a nerve racking thing and so fun!
Fisher Friends, an oil painting of a Kingfisher, is inspired by cherished childhood memories spent by the River Tyne. This piece pays homage to the joy of growing up close to nature—the serene beauty of the river, the excitement of spotting wildlife, and the rare delight of seeing a Kingfisher.
The painting im working on is taking a lot more time than i expected, so here is one i painted last winther. I love Beatrix Potters paintings where the animals look realistic, but they wear miniature clothing and behave humanlike.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
