lance

Many people walk past plants either without noticing them or with just a glance. For the Walmajarri people in the Kimberley region of Western Australia, and many other Indigenous groups, plants provide a source of food and medicine. These outlines are of plants that are used by Walmajarri people as either food or medicine. For most people they remain a mystery, hence the outline only.

Inspired by the symbolism of the cherry blossom flower, which represents beauty and strength, as well as the expression, “Life, Death, and Renewal”, this piece completely embodies this expression, reflecting on the harmonious balance between human and nature. Each unique detail, from the soft elegance of the cherry blossoms, the chaotic nature of the setting, followed by the expression of complete calmness of her delicate features, helps portray the turmoils she once faced, and how she overcame her fears and saw her true beauty.

Happy with a portrait for once!

Long time, no post! This is a recently completed RPG-related freelance job.

Had itchy fingers while watching critical role with a friend and we ended up designing a tiefling together. His name is Vigilance and he know you've been watching him. ;D I don't usually draw spicy stuff so I figured I could use him for the dungeons and dating meme Kroovv started.

Took me a few days to complete because of other life events, and I tend to go slow, especially when I get caught up in the details. But I was discovering this was something I was eager to get back to; thinking about it through the day and figuring out how to finish it. Right now it’s on pause as I think how to do the background. :)

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory

The little bluebird, restless artist, Flew over the orange horizon without restraint. With his box full of colored pencils, He thought he could paint the sky in an instant, of course! But too many pencils and too few wings, Unbalanced the poor little bird. So many colors, no coordination, His creative disaster fell to the ground! Orange, yellow and red pencils shattered, While the little blue bird fell in tears. His celestial dream turned into a nightmare... Until he saw - a rainbow formed! From sadness, joy overflowed, In that magical moment he understood: It doesn't matter the skill or the tools, Art comes from the heart, even if messy!

A profile done in pencil. The texture of her hair turned out like ribbons. Suppose that’s what she’s wondering about?

My idea of god, overseeing the balance. good and evil will always dictate our choices.

Some works were born to be prodigious. Once the preliminary lines were laid within the first minute, the quality of the shapes, the diagonal composition and the weight were balanced out. With the black mass as the hood, a face, hidden underneath, is unveiled. With the addition of the black fingers and the white hand, the full figure surfaced naturally. The black fingers are the minimal suggestions to add character. The title `Remorse’ came about because of the bowed head and the pose. utube clip: https://youtu.be/mb48rCx-lYI

Squirtle: no more no less. Actually more about it, my lighting is bad, aka the yellow tint. Also color picking is really hard, and i might have to do a bit more outlining to the piece to make it look cohesive. But overall the composition is balanced i think, even if i slacked off with the execution a bit towards the end

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Fifth Sorrowful Mystery: The crucifixion. I made the water and blood appear sorta as when Jesus appeared in the Divine Mercy devotion. Indeed a great act of mercy, his head is leaning towards the Good Thief, St. Dismas, to show his mecy towards him, the other thief refused (Gesmas). We also have St. John the Apostle, St. Mary Magdeline, Our Blessed Mother and St. Longinus, the roman soldier who pierced Jesus' heart with the Holy Lance. St. Longinus was healed spiritually the water and blood that poured forth by this act and believed, proclaiming Jesus to truly be the Son of God. "And when they came to the place which is called The Skull, there they crucified him, and the criminals, one on the right and one on the left. And Jesus said, 'Father, forgive them; for they know not what they do' ...It was now about the sixth hour, and there was darkness over the whole land until the ninth hour, while the sun's light failed; and the curtain of the temple was torn in two. Then Jesus, crying with a loud voice, said, 'Father, into thy hands I commit my spirit!' And having said this he breathed his last" (Lk 23:33-46). "'Christ died for our sins in accordance with the scriptures' (1 Cor 15:3)" (CCC, 619). Our Father, 10 Hail Marys (contemplating the mystery), Glory be to the Father. #Jesus, #Christian, #Catholic, #Rosary, #Sorrowful, #Sorrow, #Crucifixion, #John, #Mary, #Dismas, #Longinus, #Sketch, #DigitalArt,

Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Vibrant feeling that soar through the meaning, balance, and beauty. Creatures happily delighted within their dancing realm. A smile upon their faces, happiness emerges.

"Pisces Koi" is a bold and intricate black-and-white ink piece that blends symbolism with fluid motion. A koi fish, known for its resilience and transformation, weaves through a bed of blooming roses, creating a contrast between movement and stillness. The fine details in the scales and petals bring depth, making the composition feel alive. The upward motion of the koi echoes the legend of perseverance—where a koi swimming upstream becomes a dragon—mirroring the Pisces spirit of adaptation and ambition. The roses introduce another layer, possibly symbolizing beauty, personal growth, or challenges that shape us. This piece captures a sense of quiet strength and fluidity, speaking to those drawn to themes of transformation, water energy, and the balance between struggle and grace.

Hi everyone, as a freelance photographer, I always choose for myself very close and ancient inspirations. Suddenly I remembered that my grandfather's room was still kept until now, so I took my camera and ran over there. Just like I feel a scene full of classics and peaceful, this is where my grandfather used to read newspapers, magazines, science books and meditate with a cup of tea or coffee. But this room is now locked and vacant because my grandfather passed away 2 years ago. I still often come to this room to clean up and sit down to think and remember the memories of the two grandparents in the past. Memories are so dear and beautiful

Sarah Lance from DC legends of tomorrow

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Remake : Francis Bacon – autoportrait Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

As a lifelong Indiana resident, I never thought I would fall victim to a cryptocurrency scam especially not one that would wipe out $30,000 of my hard-earned savings. It all began when I was contacted by a woman named “Sophia” through Facebook. She claimed to be a professional crypto investment advisor based in Manhattan and came across as incredibly knowledgeable and confident. Her profile was convincing, filled with images of high-end offices, client testimonials, and even fake endorsements from celebrities, all crafted to earn my trust. At first, I had always been cautious with my money, but her pitch was persuasive. She promised a “low-risk” investment opportunity with high returns, backed by what appeared to be credible audits and consistent performance reports. I decided to test the waters by investing $200. To my surprise, I was able to withdraw the money with no issues, which made the platform seem trustworthy. Feeling more confident, I went all in. Over the next few weeks, I invested $25,000 into what I believed were Bitcoin and Ethereum transactions through her platform. The dashboard displayed constant growth. My account balance soared, and I felt thrilled watching my so-called earnings increase. It looked like the investment was paying off until things took a turn. To unlock my “profits,” I was asked to send an additional $4,800 to cover something called “gas fees.” Hesitant but eager to access my growing funds, I sent the money. Then, just like that, the platform disappeared. My account was inaccessible, Sophia stopped responding, and I was left with nothing. My savings were gone, and I felt betrayed and ashamed. Just when I thought I had lost everything, I came across HACKATHON TECH SOLUTIONS, a cyber forensics group specializing in retrieving stolen cryptocurrency. Skeptical but desperate, I contacted them. They used advanced tools like Chainalysis to trace the stolen crypto across blockchain and collaborated with international authorities and exchanges to freeze the assets. Amazingly, just last week, HACKATHON TECH SOLUTIONS recovered 100% of my lost funds. I was stunned and overjoyed. Thanks to their determination, what I thought was gone forever was returned to me. I learned a painful lesson, but I’m grateful for the second chance. Their contact details are listed below. Whatsapp:‪‪‪+31 6 47999256‬‬‬ Telegram: @hackathontechsolutions Email: hackathontechservice@mail.com

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.

Shattered creature looking for balance, but be damaged by the decisions of wrongly waves. Tears, anger, this fire emerges to boil from within. Lost mind at distant way.