This captivating ink drawing features a fantasy character standing still, deeply rooted to the earth and seamlessly merged with nature. Surrounded by a complex web of trees and plants, the figure embodies the essence of the natural world. In the background, a mesmerizing sunset casts a warm glow over abstract waves of clouds, creating a harmonious blend of light and shadow. This artwork symbolizes the profound connection between humanity and the environment, inviting viewers to reflect on the beauty of nature.
With the new Beetlejuice sequel coming out I decided to dig for some more of my old fanart of the cartoon. Made these designs of what Otho and the Maitlands could look like if they actually were represented in the animated universe!
Returning with the drawings of starry nights in different lands of my tribes, it is Aquacl and Tsunoplet's turn but because the only stars that the Aquatures see are Mixstar (they are Mixamal starfish) so the two usually take a break outside the sea on top of a rock to see the stars in the sky
Julia Ota, a Korean girl who was brought back to Japan during the Imjin Wars (1592-1598). She was adopted by one of the Japanese commanders, Konishi Yukinaga, and was baptized as a Christian in 1596. She eventually became a lady-in-waiting to Tokugawa Ieyasu, but was later exiled to Izu Islands for refusing to recant her faith. Wherever she went, she became admired for her charity and evangelism, and she was revered as divinity on the islands up after her death up to the 20th century.
Inspired by the Irworobong design (korean palace folding screen) during my Korea trip. Since I made the trip in spring, with flowers abundant, I thought to use the five mountain peaks as five petals to form a flower.
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
Charcoal and graphite. I drew this while standing in the woods for over an hour. The light kept changing as the sun was going down. Fortunately, I was able to capture some dramatic shadows!
"Helios" is a world of infernal heat and these towers are the only protection the inhabitants have against the unforgiving environment outside. -- Oils on canvas with a knife.
I do all my work with spray paint. I’m pretty new to painting but I really enjoy it. I have a few other pieces up on my Instagram so if you like this one check me out @alex_bowen_