- Oil painting of a countryside of Vietnam. When observing, it is easy to see an image erected when people are working in the field, along with the early morning time, so it has created a beautiful picture. Each object in the picture has its own highlight, full of attractive looks. Although it is a picture of a simple landscape about people in the countryside, every little detail is meticulously painted by the author. This painting is owned by the author "Uilliam Potter". This picture was drawn and uploaded to show everyone the inherent beauty of a rural village, if you have the opportunity, come and feel it. Get the beauty here in the most realistic way.
- Please contact me via Email: williampotterowners@yahoo.com
Ha Long Bay is a small bay on the west coast of the Gulf of Tonkin in the Northeastern Sea region of Vietnam, including the island waters of Ha Long city in Quang Ninh province.
Being the center of a large area with more or less similar elements in geology, geomorphology, landscape, climate and culture, with Bai Tu Long Bay in the northeast and Cat Ba archipelago in the southwest, Ha Long Bay is limited to an area of about 1,553 km², including 1,969 large and small islands, most of which are limestone islands, in which the core area of the bay has an area of 335 km² with a dense cluster of 775 islands. The tectonic history of the bay's limestone karst has spanned about 500 million years with very different paleo-geographical circumstances; and full karst evolution over 20 million years with a combination of factors such as thick limestone, hot and humid climate, and overall slow tectonic uplift. The combination of environment, climate, geology, geomorphology, has made Ha Long Bay become the convergence of biodiversity including tropical moist evergreen closed forest ecosystem and marine and coastal ecosystems. shoreline with many sub-ecosystems. 17 endemic plant species and about 60 endemic animal species have been discovered among thousands of flora and fauna inhabiting the bay.
Link for Lore Video about it :; and while you are there, please watch the cartoon too! https://www.youtube.com/watch?v=8q2NRKma2Vo&list=PLg2kpnoxhhsubB8mYMpjyi5jFV98mOAGf&index=10
Colloquially known as the "Gypsies of Fey," Farthings are small woodland creatures most commonly seen in abandoned or forgotten settlements where the natural elements have begun to reclaim the landscape. As a race, they can trace their lineage back to both faerie and goblinkind, but are not fully accepted by either branch of their family tree. Combining elements of each of their progenitors with attributes of other woodland inhabitants, Farthings vary widely in both color and physiognomy.
A quick doodle. I want to get into landscape drawings as well. I bought a Staedtler Mars Technico lead holder. It feels cheap in my hand. I've been using Nic Pro lead holders from amazon - they feel solid. The hexagon shape sits well in my hand. The leads that come with them - they lay down well.
Mixed media drawing. The sky can spread oppressively across a flat landscape like the meadows of the midwestern United States. In this drawing I wanted to evoke that sense as a backdrop for a trio of Weirds, soothsayers of folklore.
A beautiful snowy night is depicted here. A girl is watching the beautiful scenario from her window. Actually this is a house referenced from the Song - "Perfect" ft Ed-Sheeran.
Really enjoying experimenting with soft pastels. This piece was the first time I used Pastelmat. It's an amazing surface to use with pastels as it takes loads of pastel, the colour stays vibrant, and there's minimal dust
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
