This is the 2nd piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. We just passed by a lake which had flowers on the riverbank. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
A colour study for a larger piece. Unfortunately with the larger piece, I screwed up with the thick over thin rule and consequently, the paint cracked after a few months. Frustrated at having to start it again, but lesson learnt.
This is my most recent work, just finished. I really had a lot of fun with this one. It didn’t turn out as colorful as I hoped but the contrast is spot on. If you’d like to give me a suggesting, i’m still trying to decide if i should fill the lower right chest area of the horse. It doesn’t make sense to leave it blank but i’m afraid changing it might ruin what I have. Any opinion is welcome! :)
I was going for a surreal and moody feeling—dystopian, sort of not. Per usual, my inspirations are pretty noticeable. I am starting to get more comfortable being stylized. I am trying to put emotion in my landscapes. I used Rebelle 6
Looking down on the Afon Mellte from its rocky riverbank in Neath's 'Waterfall Country'. I was a little perturbed by the complexity of this scene at first, but soon got into the flow of it. I love doing these wild nature scenes. Uniball Eye Micro on 6x8" sketchbook.
In late 2018, I started trying to be a bit more playful with art and experiment. This was a quick watercolour sketch I did. I'd like to revisit this one as a full watercolour painting.
One of my early oils from 2017. I was still getting used to the medium. I liked how the oils worked well for the misty distant hills, and I used glazing for the first time on the clouds.
