The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
My first attempt at a concertina birthday card. While simple to make, it can be a bit fiddly and getting the proportions and placement of objects right for each layer is important so that everything can be seen once the layers are overlapped. It reminds me of printing processes, where each layer is gradually added. It was quite an enjoyable process.
This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.
Single continuous line using shadow for depth/layers
A figure laying on their side with arm raised over eyes blocking the sun rays while soaking it all in.
This piece was commissioned by a coworker. It was a very large piece at 24"by26" on green leather. I used an acrylic base and then completely covered that with oils. It becomes very dusty when dried so I added many layers of a spray varnish for oils on top. The color remained nice and vibrant.
This a figurative inspired abstract sketch using layers of pencil crayon. I wanted to express an individuality and togetherness at the same time. I also wanted to experiment with space, shape and depth.
A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed.
First posturing:
-A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual.
Second posturing:
-A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement.
Third posturing:
-The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing.
(Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)
Moomins my moomins! 120 layers of Finnish and Japanese cuties (It's funny, but I took some versions of the characters from the books, and others from the cartoon adaptations. And the Mymble's palette was invented by me hehe). It's been a long time, but I don't regret anything: D
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Jean is my clan leader on the dragon petsim Flight Rising, in-game she is a nature elemental female pearlcatcher. Her in-game profile is here https://www1.flightrising.com/dragon/4025429
Lore outline: Originally born in the nature elemental lands she found herself enchanted by the stars above the canopy, and journeyed to the light territories in search of knowledge. But these dragons had little in the way of passion besides snobbery and a burning desire for truth. In her love of the night sky and shunning of the sun she did not fit here, and was bullied for it. One particularly bad episode altered the golden runes that her scales bore, covered her with patches of glowing gold - a permanent mark of the burning sun. But she did not only come to harm in the light flight, for it was here that she came across a clan of misfits just like her, formed by a guardian dragon who wanted to protect all those who were different. And then she, along with the clan, moved to the territory of the arcane flight - the home of curiosity, and those that loved the stars. They have been there ever since.
Art method: I started with graphite and ink on white A4 paper, scanned it into the computer and set to multiply then used photoshop to add colour and further shading + a simple gradient for a background on the layers beneath.
Imagine a bathtub
Full of soaps, salts, and oils
Of many kinds
How they would interact
But some would settle
And some would not mix
The water would be influenced
Reality is full of so many factors
Some of which interact directly
Some of which interact indirectly
Forming many layers
Первый, вторая, третье, четвертый
От зеркала отскакивают отражения.
Прилипшие отковыриваю отвёрткой
Аккуратно, чтобы не было искажения.
И вот они, простые, яркие, четкие
Лежат слои на полу коричневом.
Прыгай по ним, отбивай чётками
Громкими, эксцентричными.
