I could draw mandalas all day. I think I go crazy for the ones that have nature elements in them more though. Micron ink on Bristol. Janelle Dimmett 2023. www.janelledimmett.com
Taking this pic was challenging finding the right light for the moon and the stars pop up more imo and my frog was hard to color but I love how the lake came out with the shines from the moon and fireflies. I even took the time to paint some tall grass and reeds in the background ^^ hope you like!
It’s one of my OC’s (her name is Annie, short for Anabella). She has heterochromia, meaning she has 2 colored eyes, and I tried to match the butterflies with the color of the eye on the opposite side. The angle is supposed to be from above, with her laying down, and her hair spread out.
One of my older drawigns made by traditional art supplies:watercolor and markers. This is one of my favorite creation, because of the love of J.R.R. Tolkien!
https://joyofsatan.org/www.angelfire.com/empire/serpentis666/Astaroth.html The ancestral Goddess of my ancestors the Canaanites and Phonecians. She has been well known to many ancient civilizations by many names and has been with humanity among Many other Gods since the dawn of humankind. Many disgusting lies have been spread about her as well as many other of our ancient Gods. The false christian holiday Easter in particular was a spin off of the actual pagan holiday Ostara or the spring equinox, and is antithetical to Lady Astarte in every way who symbolizes the ultimate feminine beauty, fertility, kindness and new life, where as the sacrifice of the fictitious christ figure is a symbol of a literal human sacrifice, something the bible is rife with. Learn the truth today and return to your origins. Our true Gods predate abrahamic filth by thousands of years. All the disgusting lies the bible tells about the pagan Gods are false. Exposingchristianity.com Kabbalahexposed.com
Whimsical portrait. NO REFERENCE for the face. Reference for the flower “Camellia”. Watercolor. I jave used cheap paper and cheap supplies for years. It has come to my attention that using better quality products produces better results. Well, stay tuned I’m hoping to make even better works!
[Intro]
(D-D-Dark side)
[Verse 1: Tomine Harket]
We're not in love
We share no stories
Just somethin' in your eyes
Don't be afraid
The shadows know me
Let's leave the world behind
[Chorus: Tomine Harket]
Take me through the night
Fall into the dark side
We don't need the light
We'll live on the dark side
I see it, let's feel it
While we're still young and fearless
Let go of the light
Fall into the dark side
[Post-Chorus: Tomine Harket]
Fall into the dark side
Give in to the dark side
Let go of the light
Fall into the dark side[Verse 2: Au/Ra]
Beneath the sky
As black as diamonds
We're runnin' out of time (Time, time)
Don't wait for truth
To come and blind us
Let's just believe their lies
[Pre-Chorus: Au/Ra]
Believe it, I see it
I know that you can feel it
No secrets worth keepin'
So fool me like I'm dreamin'
[Chorus: Tomine Harket & Au/Ra]
Take me through the night
Fall into the dark side
We don't need the light
We'll live on the dark side
I see it, let's feel it
While we're still young and fearless
Let go of the light
Fall into the dark side
[Post-Chorus: Tomine Harket & Au/Ra]
Fall into the dark side
Give in to the dark side
Let go of the light
Fall into the dark side[Bridge]
(D-D-Dark side)
(Dark side)
(Dark side)
(Dark side)
[Chorus: Tomine Harket & Au/Ra]
Take me through the night
Fall into the dark side
We don't need the light
We'll live on the dark side
I see it, let's feel it
While we're still young and fearless
Let go of the light
Fall into the dark side
Digital painting on canvas of "Michel Onfray" in the manner of the praise of the approximation of the exhibition. This graphic and stylistic style is borrowed from the concept elaborated in the Praise of Approximation ": a painting to be reconstructed using the structure to which the perceptions are subordinated, highlighting the perceptual disturbances of perception. whose memory has been recorded in the brain of each individual.
Peinture numérique sur toile de « Michel Onfray » à la manière de l’éloge de l’approximation de l’exposition. Ce style graphique et stylistique sont emprunt au concept élaboré dans l’Éloge de l’approximation » : une peinture à reconstruire à l’aide de la structure à laquelle sont subordonnées les perceptions qui met en évidence les troubles de la perception liés à la manière dont le souvenir a été enregistré dans le cerveau de chaque individu.
