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In this captivating cross-hatched pencil shading, a tranquil village scene comes to life. The intricate strokes create a harmonious blend of light and shadow, showcasing the serene beauty of rural life. Thatched roofs, winding pathways, and towering trees are meticulously detailed, inviting viewers to step into the peaceful simplicity of village existence. The gentle interplay of shades and textures evokes a sense of nostalgia and calm, capturing the essence of a timeless village story.

Dmitry Shostakovich (1906–1975) Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went. But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.” Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit. - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #shostakovich @masoncurrey

This one started off bad and ended good. It was quick sketch that I wasn't really happy with. I decided to keep going and experiment. I was able to let go and draw without thinking and caring as much. I usually struggle with overthinking and perfectionism, so this one felt like a win for me.

Water colour on cardboard. It was a quick practice session.

A little digital painting based on a traditionnal sketch I did, then wanted to develop in a slightly cleaner version

Journey presents a surrealist setting where a man is rowing his boat through a wondrous landscape, surrounded by buildings and stones with strange symbols and runes. A bright heavenly light illuminates the traveller's origin while a stark contrast is made with the vibrant blue light, from behind the walls, of this mysterious sunken building. This artwork is for sale on inkywinky.com.au

This poignant black and white pencil and ink drawing captures the essence of a dark, broken man with sand slipping through his fingers, symbolizing the passage of time and lost hopes. A hole in his chest reveals his heart, while beside him stands a similarly broken woman. In the foreground, withered flowers and a shattered hourglass accentuate the theme of decay and loss. The background features a forgotten playground, representing the loss of innocence, and a swirling vortex with lightning in the sky that engulfs the man's illusion of reality. This artwork speaks to the emotional turmoil and fragility of the human experience.

Wanted to try some other lighting environments! This painting was referenced from a piece by Samdoesarts on YouTube, you should check out his channel, pretty cool.

I don’t think it looks exactly like Emilia Clarke/Daenerys Targaryen, but I like the way it came out. The pic isn’t as good as the drawing as the lighting wasn’t great.

The concept for this painting started as a design for a pumpkin carving contest. I felt the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. I tried to keep the design simple, because the carving event is both timed and live. You must create your masterpiece on the pumpkin they provide, on their location, Infront of live spectators. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems (color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 Evolution of the design of this painting. I believe God through His Holy Spirit guided me to change the crosses on the two pillars, one on each side of the doors. Instead of these windows being fill with darkness, which would represent death by crucifixion, which Jesus endured for humanity, that who so ever is willing may be delivered from the power of sin and be adopted by God to become a member of His family. I was inspired to put light in both cross windows. The cross window on the side the open door, with the grape vines on it, the light matches the color of the light that is coming out the windows of Icons shapes representing the ministry of tri union God. The color I used is a bright firry orang yellowing color. For the bible says God is a consuming fire. The cross windows on the side of door with the flower on it, I used the color greenish yellow lite; to represent a false light, the bible call it a form of Godliness without power. Who so ever tries to approach God another way, than the path God has ordained. They will not be received. The Devil distorts the truth, to lead many to their demise. The only way to know the difference between truth and fallacy, is to study God’s word. Written by Stephen J. Vattimo August 7,2024

A cat and whale at a lighthouse as the sun sets.

Done for an 'artist spotlight' greeting card series

In another galaxy really far away, there is a planet with a frozen light source and icy atmosphere, this is where frost giants originate.

A vibrant piece of art depicts a fruit arrangement still life with various colorful fruits such as grapes, pomegranates, and figs resting on a plate. The background is a wash of warm yellow and earth tones, highlighting the freshness and diversity of the fruits.

Spaceship, from reference.

I still haven't had the pleasure of seeing this fascinating phenomenon with my own eyes, but someday I will! I painted this scene because I'm one of those weirdos that loves snow and sees so much beauty in the quiet winter scene. Acrylic on 3.5" x 3.5" on custom tiny canvas.

[Intro] (D-D-Dark side) [Verse 1: Tomine Harket] We're not in love We share no stories Just somethin' in your eyes Don't be afraid The shadows know me Let's leave the world behind [Chorus: Tomine Harket] Take me through the night Fall into the dark side We don't need the light We'll live on the dark side I see it, let's feel it While we're still young and fearless Let go of the light Fall into the dark side [Post-Chorus: Tomine Harket] Fall into the dark side Give in to the dark side Let go of the light Fall into the dark side[Verse 2: Au/Ra] Beneath the sky As black as diamonds We're runnin' out of time (Time, time) Don't wait for truth To come and blind us Let's just believe their lies [Pre-Chorus: Au/Ra] Believe it, I see it I know that you can feel it No secrets worth keepin' So fool me like I'm dreamin' [Chorus: Tomine Harket & Au/Ra] Take me through the night Fall into the dark side We don't need the light We'll live on the dark side I see it, let's feel it While we're still young and fearless Let go of the light Fall into the dark side [Post-Chorus: Tomine Harket & Au/Ra] Fall into the dark side Give in to the dark side Let go of the light Fall into the dark side[Bridge] (D-D-Dark side) (Dark side) (Dark side) (Dark side) [Chorus: Tomine Harket & Au/Ra] Take me through the night Fall into the dark side We don't need the light We'll live on the dark side I see it, let's feel it While we're still young and fearless Let go of the light Fall into the dark side

"BUTTCHEEKS" The top bookmark is the genuine "Skav Art" piece which was done with a 0.18 technical pen on 110mm x 30mm off-cut card. The one below (the "bottom" one - Heheh!) was a deliberate copy I made of the first and, even though it looks neater, proved to me that those dreaded "processes" do start to creep in. The differences are slight, but they are there. Such processes can mount the further you go with them, until they totally erode the creative energy you originally had. So, it was good to do, even if it does mean I've now got two artworks with the same title!

Fisher Friends, an oil painting of a Kingfisher, is inspired by cherished childhood memories spent by the River Tyne. This piece pays homage to the joy of growing up close to nature—the serene beauty of the river, the excitement of spotting wildlife, and the rare delight of seeing a Kingfisher.

Size A4, done with fineliner and highlighter pen.

we are all as prisms filtering the Light of Experience into internal experiences which we call emotions

Pencil/Colored Pencils Drawing

Maple Leaf created in Tayasui Sketches Pro sometime ago. Slight editing in Procreate.