My favourite intergalactic hero (he still doesn't have a name) pulverizes the enemy. I used Uni-Pin and Artline ink pens and water-based Koi brush pens (light warm grey & dark warm grey & black).
From Sketch to Final Water Coloring Stages, this is a spread from Tide Day! A lot goes into making a good composition, taking into account the center of the image where the binding is, and how to play with size and negative space. One of my favorite things to do is explore contrasting expressions between characters and highlight their emotions through physical stances and expressions. This was a tough challenge with the lack of limbs and the watery context, but Pearl's stubbornness and attitude shines through!
The lake was busy with light, the grasses busy with wind, but the boat sat quiet against the shore. There is a gift in this tension: to be held still while everything moves, to be carried without effort, to find rest in the very heart of motion.
So much noise presses in—
screens, engines, endless chatter.
But silence is not gone;
it waits in a turned page,
in breath, in light,
in the hush between sounds.
A quick sketch filled in later with charcoal and ebony pencil. "The sweetness and delights of the resting-place are in proportion to the pain endured on the Journey. Only when you suffer the pangs and tribulations of exile will you truly enjoy your homecoming." -Rumi
Folktale Week Day1: Home. This is a folktale about the ghost of a woman who lived at Heceta Head Lighthouse Her baby died when she fell off the cliff outside their home. Tragic!
This was done on a heavy day. On days like this, I like to doodle whatever is inside my head to lighten things up. My therapy. Almost everything in here means something.
Not sure what to say about this one. I like it. As many of you can probably see, I've been trying a more pixel-art-style technique lately. I use this program called Kleki--it's pretty cool. Also, I need a name for the grey creature.
I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere.
It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again.
- Sculptor's Daughter by Tove Jansson
#29 Breath of Fire 2 - My fanart drawn in ibis paint on iPad pro. I recently discovered this game on the Super Nintendo. I really like the artist’s concept artwork for BoF2. I wanted to draw a few of the characters and the logo in my style. Ryu is the main character, and I like Catwoman type characters, so I thought Katt looked fun to draw. Also, I drew the logo slightly different from the original. I don't like to draw every detail exact. As usual: [No Tracing] [No Ai] [No free form line tools for inking except for the perfect circles]
Continuing to consolidate the colour profile of the White Bird. Even if the photo fails to capture it, those pale shades are actually a sophisticated mixture of grey, sky blue, pink, and purple shades, managed with eraser and finished with white.
Have been working on my ability to manage lighting, softening the shades and contrasts. Colouring white things are actually not easy, because you will notice all the minute colouring differences much more easily.
A whimsical depiction of an anthropomorphic frog making Freestyle motocross trick called "Seat Grab" in a classic penny farthing bicycle. The image is funny, humorous and minimalist, featuring a simple outline.
