I painted this with Oil on a non tumbled Rock I found from my local Mountains. An evening Autumn Scene and a slight yellow moon peeking out over the horizon.
A nimble Airship, with a reinforced hull und decent armament. Perfect to deliver a paylord in form of bombs or even a boarding party. Additionally good for intercepting other airship bombers. I wish I had drawn some additional long range guns for disabling enemy engines and flight controls. pencil on paper.
Loosely inspired while playing a game Far Cry 4. I like the environment of the high mountains, the Himalayas, and Buddhism and Hindu art references. The bell is cracked like the Liberty Bell, which always reminds me of Leonard Cohen lyric "There is a crack in everything, that's how the light gets in."
Sunset Clouds study. Watercolour. March 20, 2020. I found this extremely difficult. I've only ever painted clouds in Oil paint and it was much easier. I'm still working on painting lighter and quicker, but I found it a challenge to mitigate. I'll paint this again once my skills have advanced more.
A silhouette of a tree in the moon light .It may looks simple but inctricated with repeated strikes for leaves . back ground done with oilpastels crayons.
Voyaging deep within forest realms to consume flesh of children hiding. A beast delighted, but a struggle to find them. What horrors emerge to confirm nightmarish awake?
I just discovered Chartpak markers and am in love; they are truly awesome to work with. The colors are so rich and never streaky. So if you didn't guess, this was done using Chartpaks and a Gelly Roll Glaze Black pen.
Soft Pastel. My studio is in a converted church with big GotHic windows. In the morning the sunlight streams in createing beautiful shapes on the studio furniture rolls of paper and general studio detritus.
Hello! This is a quick drawing I did yesterday. I'm glad it turned out well. I used Copic markers, Microns, white gel pens, Ohuhu markers and highlighters. When I colored it I hoped the colors wouldn't ruin the sketch, I'm happy the finished piece came out good.
Squirtle: no more no less. Actually more about it, my lighting is bad, aka the yellow tint. Also color picking is really hard, and i might have to do a bit more outlining to the piece to make it look cohesive. But overall the composition is balanced i think, even if i slacked off with the execution a bit towards the end
I made this with 4 ballpoiny pens and a yellow highlighter. This is just a random drawing I thought of, and is personally one of my favorite drawing that I have made.
This drawing is of a slightly older individual and the rendering is deliberately incomplete. The unfinished nature of the image alludes to the idea that although aged, the individual has not reached the end of their lives. Therefore the subject has more living, growing, and maturing to do.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
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