I designed this house. It has a really pretty blue exterior, and it has a slight curve to it that gives it a more warm and inviting feel. I like how the walkway kind of curves into the stairs and transitions back into the walkway before arriving at the front door. I like that there’s plenty of yard space with some really nice landscaping. The birds can even come and get a birdbath. I thought that was really cute. I used the multicolored stones to add detail for a more distinguished look. The hedges are neatly cut in a square and follows along side of the house. Looking through those gorgeous windows you can see the house is fully furnished. There are some really pretty chandeliers in there that adds character. There’s a stairway that leads to another level of the house as well. I love how there’s a touch of yellow that highlights the points on the rooftop. Furthermore, the swing in the backyard adds an inviting feel to the scenery. Also, it’s a nice place to sit and enjoy the view.
Alright , people, who here remembers a brilliant show by the name of Samurai Jack ? Just me ? C'mon now ! Don't be afraid ! Say it loud and proud ! Samurai Jack is A W E S O M E !
I used a reference to draw this scenery. In the reference there was so many details that I really wanted to capture it. I even wanted to capture the details in the bride’s wedding dress. I think the groom looks quite handsome in blue (it’s HIS color as some people might say). I incorporated the long, beaded line under the bushels of flowers (just another element to add to an already beautiful scene). Also, as you can see, I added an audience watching the couple as they have their picture taken. The flowers spread along the table with the view of the wavy waters right behind them looks so refreshing. Every element served its purpose for the ultimate “moment to remember” feeling. One of my favorite things about this drawing is the string lights. It’s one of the smallest items to have, but they add character and charm to the scenery. The string lights give a romantic feel and is even more gorgeous at night. I enjoyed doing this drawing so much that I anticipated the second I’d be finished with it.
The five part illustration series Don't Lose Yourself. You can lose yourself in many ways; Consumerism, Heartbreak, American Culture, Loneliness, Giving In, Giving Up, Settling. The five part illustration series, “Don’t Lose Yourself” highlights the chaos we don’t notice around or within ourselves when we’re disconnected away from reality. Sinking so deep, we forget our own values or who we are. The collection reminds us to stay within ourselves by showcasing the dangers of what happens when we don’t.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
Galacons are these giant space robots, and there's two variants. The Solar Galas are much larger and thinner, and sport huge solar sails like frills along their necks and tails, a few even have sails on their long limbs, somewhat like wings. The Solar Galas are surprisingly passive, despite hosting hundreds of concealed turrets (some with EMP missiles), blue/white laser flames from their mouth cannon, and smaller lasers from the lights down their body and limbs. The Solar Galas can hold fleets of cruisers in their chest-like docking bay, and smaller ships down the rest of its body to the hips. Solar Galas are still dangerous though, as their diet consists of metallic asteroids, and small ships can be mistaken as food. Magma Galas (not featured in drawing) are much more bulky, sporting massive drills on either side of the head, as well as drills instead of front claws. They also have much larger and more powerful lower jaws, also used to tear through planets to eat the cores. Though they're much smaller, most have huge tails to store lava/magma, and most can spew superheated laser-like blasts of white magma from their mouths and tails. Magma Galas also have extremely tough armor all down their body, the largest having plates nearly 80 miles thick. They are hyper aggressive until they find a planet to bore into and slowly devour, however if attacked while feeding they won't hesitate to vaporize their enemy.
Graphite and charcoal with white acrylic paint for some of the stars. This year, my brother and sister in law got a telescope, so their family had a space themed Christmas. This was my contribution. Side note, I only just thought about how cruel I was to drop my nephew off in the arctic circle with only a tee shirt. We'll just say it's the north pole and the magic keeps them warm...
Once upon a time, in a childhood far, far away.... I really love this game, and the sequel, and we need a new Star Wars Single Player RPG, like, TODAY!
A quick sketch filled in later with charcoal and ebony pencil. "The sweetness and delights of the resting-place are in proportion to the pain endured on the Journey. Only when you suffer the pangs and tribulations of exile will you truly enjoy your homecoming." -Rumi
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
I still haven't had the pleasure of seeing this fascinating phenomenon with my own eyes, but someday I will! I painted this scene because I'm one of those weirdos that loves snow and sees so much beauty in the quiet winter scene. Acrylic on 3.5" x 3.5" on custom tiny canvas.
I would like to not care about the pain, allow it to pass and let it flow without fighting it, which is perhaps the only way to let it go. Then I will understand that if I give myself trust, I will be able to remember and I will feel in my heart how many lights I found every time I felt lost.
This painting was done with the Tuscan style in mind. The Tuscan style favors a rustic look. To me this never goes out of style because it’s as if the new and the old have found a common medium and have agreed to blend so well. There’s plenty of green, beautiful grass. The windows are complimented by the various colors of flowers that are perfectly placed below them. I love how there’s a table set outside of the building with a string of lights (even more beautiful at night) for people to enjoy the scenery as they eat some tasty, authentic Italian cuisines. There’s a group of people walking past the wall of yellow flowers and vines on the way to the inside of the building. In this scene, the ladies are wearing some long, beautiful dresses with gentlemen by their side to accompany them. This gives the impression that this group is out to have a good time. The white birds tops it off in this painting by giving it an inviting feel...”a moment to remember” feeling.
Digital portrait of Tomás Enrique Araya Díaz & Kerry Ray King.
Tomás Enrique Araya Díaz @tomaraaayaaa is a Chilean American musician, best known as the vocalist and bassist of American thrash metal band Slayer. Kerry Ray King is an American musician, best known for being the co-lead guitarist and songwriter of thrash metal band Slayer. @kerrygomezking
Slayer was an American thrash metal band from Huntington Park, California. @slayerbandofficial
