Toys used to be so much cooler back in the day. I realize this makes me sound like a very old nerd. I also realize that I AM a very old nerd. So there's that.
I am tired of drawing people looking at their phones, so I am replacing people's phones with random animals. Like for this cool lady, I saw at the Met Museum!
A reminder to myself:
On rough days when I feel lost, rudderless, overwhelmed or without direction, I like to remind myself that my track record for getting through tough times is 100% so far. And that’s pretty darn good in the scheme of things.
A simple ink sketch of a bird at rest. Sometimes the quiet moments—watching, pausing, waiting—are the deepest teachers. This drawing is part of my exploration of what I call the Quiet Practices—small ways of living from the inside out.
If you’d like to see more of my reflections, I share them here: https://forming20.com/
Tuesday morning drawing.
Fun fact, I listen to the Dead a lot while drawing and painting. It puts me in a good mindset. Just like listening to jazz, you get lost in the melodies and when you come out of it there is something there. Sometimes it garbage, but every once in a while you get something worth sharing.
A Brief Pause at the Edge of Becoming
It seems I am always seeking a place to sit—
not just to rest the body,
but to settle the soul.
Yet even in stillness, Gary Brecka’s words whisper:
“The quickest way to old age
is the aggressive pursuit of comfort.”
So I do not stay long.
I walked until I found a picnic table
beneath a canopy of bare-limbed trees,
branches like open hands waiting for green.
The blue spruces nearby—
stoic, unchanged, whispering that some things endure.
I sketched.
Not perfectly. Not for anyone’s praise.
Just a mark to say: I was here.
Alive in this in-between.
Waiting. Listening.
Not for leaves—
but for something truer than comfort.
Thank you for joining me in this small noticing.
A moment borrowed from the rush.
A table. A tree. A thought.
A gift.
It has been a delight to share with my students the incredible resource of people. Over the years, I’ve had the great privilege of connecting them with inspiring individuals such as Lois Ehlert, Dave Nice, Gregory Martens, Colette Odya Smith, and—as seen in this “Behind the Professor” sketch—Dr. Gaylund Stone. There’s something powerful about the presence of someone who lives their craft with humility and depth. In moments like these, my students are reminded that more is often caught than taught.
I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root.
And yet… I am assigned to hallway duty.
This is compulsory education, after all.
So I sit—posted like a sentinel—watching young lives stream past.
“Get to class,” I say with a smile and a nudge.
The system wants attendance; I’m hungry for presence.
Armed not with a whistle or clipboard, but with a pen—
my scribble’s soft insurgency.
The hallway stretches out like a geometric hymn.
Columns and corners chant structure.
Teenagers swirl past—half-formed galaxies of limbs and laughter—
their orbits chaotic, their gravity pulling time forward.
I begin to draw.
Not their tardiness, but their motion.
A shoulder. A blur of sneakers.
A tilted head chasing freedom.
Feet flickering like seconds.
Each mark a pulse.
Each smudge a breath.
My paper becomes a seismograph of seeing—
trembling gently through the mundane.
This isn’t about making art for a frame or a feed.
It’s about refusing to leak away in the fluorescent hum of obligation.
It’s a quiet mutiny against the clock.
I do this on long car rides, too (passenger side, mind you).
Letting the lines grow wild, jagged, and unapologetic.
Not for polish—
but for presence.
This is how I remember I’m still alive.
Still growing.
Still watching.
Still choosing to see.
Because sometimes mental health looks like
a piece of scrap paper,
a moving pen,
and the simple, sacred act of
marking time with wonder.
I had something bum me out a little bit today. Nobody’s fault but it is what it is. So I decided to draw this up. I’m ready for fall and fall beers! I love to sit out under the moon once the temperature drops a bit and have some marzen lagers and other fall drinks. I felt like this captured the moment perfectly. I am excited for music fest in @havertownlife havertown tomorrow. I heard @levantebrewing will be pouring at brick and brew so I’ll be there sucking back some suds. I’m glad I forced myself to learn #adobeillustrator I’ve come a long way. Since then I have been able to help other artists that don’t use Illustrator or vectors and I am pretty proud of that, because when I was in their place it always felt like a huge struggle.
Way back in '88 I was staying up late,
Playing games like Donkey Kong (and of course Pac-Man was great!)
Smashing barrels, chomping dots, chased by Blinky, eating Clyde-
Climbing ladders, jumping fire all to make that princess mine!
#23 Dizzie the Cat, my OG sonic fan-character - I Haven’t drawn anything in a long time because I feel like Ai has devalued artists and my stuff was never popular anyways. I don’t know what possessed me to draw this last night. But remember back in the day when people drew their own Sonic fan characters on deviant art? Well, I finally gave in and created my own.
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
I wanted to draw Ash but without his bat features. Ash takes on bat like features in his orignal concept. I will be keeping those features, because I like how it looks. Every color I used in this picture was used for a reason. I had to do some research, so the colors would reflect is personality and his role he plays within the world in which I created him in.
Colors with purpose:
-Purple
-Green
-Red
-Orange
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
For this fifth day of this week about pets today it's the turn of Phineas and Ferd's pet platypus, who although he seems like an animal that doesn't do many things, he's actually a secret agent when no one's looking, none other than Perry the platypus
A true doodle? Messing around with some markers. I think this character was originally supposed to be a HH OC, but wound up looking more like some reject from an 80's cartoon (which is acceptable to me lol).
Anubis and his box of threads.
I am going through the wiki list of mythological hybrid creatures and imagining their lives and what they might be like and what they might like to do. It's been fun - sometimes; some of the myths are dark and sad.
The painting im working on is taking a lot more time than i expected, so here is one i painted last winther. I love Beatrix Potters paintings where the animals look realistic, but they wear miniature clothing and behave humanlike.
This is a scanned pencil sketch of a picture that I still want to work out. The whole thing is supposed to be a kind of fantasy landscape. The castle depicted does not have to be historically correct either. I will try to work it out in Procreate. It's a great programme, but unfortunately I'm not yet as proficient as I'd like to be ... As soon as there's any progress, I'll post it here!
Regards
Christian
