Moving away from your hometown inspires a multitude of emotions. By taking inspiration from the atmosphere that the game Life is Strange and Steven Universe creates, I hope to convey a sense of longing and nostalgia that makes us all a little more united in our loneliness.
I have a little Moleskine (3.5 x 5.5) notebook that I only draw skulls in. I started in November of 2013 and I do one whenever the urge strikes me. It's not like a skull-a-day thing but sometimes I do get into a period where I will draw one every day for a while then I won't draw any for months. I even lost it for a while and was very sad. I think the longest gap between pages has been a year. This is the most recent skull, drawn on 05.28.2018. Most of them are posted on my Instagram but you have to scroll back a ways to get at the bulk of them.
Illustration painted with watercolors and outlined with pink pen. The borders were achieved with washi tape (low tack and unlikely to tear up your paper.)
I found a Gap ad in a 90s Vanity Fair magazine; the background was completely white, perfect for doodling a background on it. I also highlighted the woman's freckles and lips with a bronze Sharpie.
For me, it's the process of creating - not really the end result. Once something is done, it's done and you move on to the next process. Life is the ultimate process after all. We don't hang around and admire the dead body once it has finished what it needed to do...On the other hand, the end result of someone's process can be felt through what they have left behind. I hope this is what will eventually happen with the art I create.
This is old (2007). I used to work at the ad agency that had the Harley-Davidson account for a number of years. I always carry around a Moleskine sketchbook and take meeting notes on one side while doodling on the page next to it. This doodle ended up being used extensively in the Harley-Davidson "Dark Custom" campaign as well as on a line of Dark Custom Motorclothes.
It say's "FUCK YEAH" in it and they never noticed. :)
I feel like my drawings got a lot more dimensional and interesting once I was able to achieve variable line width. I love loading different colors into the pen and going HAM on paper that totally can't handle it. My sketchbooks crackle when I turn the pages. They buckle and heave and are exhausted from their tribulations.
I spotted a huge line drawing on YouTube. I was curious about how it feels to draw just lines over and over again. The one on the web was four times as big as this one (on A3 paper). Half way through I started to nod off. Next morning I thought the green
