This started as a pencil drawing (see the 2nd image) that I scanned and put into Photoshop. I tried various filters including: Smudge, Ink Outline, some Splatter, changed the Exposure and added a Sepia Photo Filter. After a couple of hours of playing (I’m not very knowledgeable about digital possibilities and just use trial and error) I ended up with a dramatic image with which I am quite happy. The reference was a magazine advertisement.
"Untitled," 8×10, Scratchboard: I think it's become evident that I enjoy making portraits no matter what the medium is. I still find it fascinating how much eyes can say, and they can usually fill in the gaps where words fail. I took a chance using Scratchboard, but I think it worked out, I'm pleased with it. I suppose this is a new member of the Black and White Portrait Club :)
I've spent recent lockdown days watching far too many Youtube videos about attachment styles and honestly it makes a lot of sense. Here is a little message for my anxious preoccupied self
I've been experimenting with colour pallets and line width. Also trying to do LESS - my natural tendency is to add everything so cutting back is quite hard, but I think works better.
Magnolias are spring harbingers in our garden, as well as our annual ornamental cherry display. Star magnolias are over, tulip magnolias are in full swing, and the occasional Southern magnolia is starting. Perhaps I should have done this with a gouache paint, but I used colored pencils. Oh well. Outlined after with various sizes of Pigma Micron pens.
Our garden: www.edgewoodgarden.com
Inspired by nature. Background layer of the pages are covered by Greenpeace's newsletter papers and used mixed technique with acrylic, ecoline and markers.
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
