This 11" x 14" bold, dynamic, geometric abstract makes a unique statement. Lines and curves, angles and shapes in stark black and white convey the arbitrary, yet methodical . . . random, yet systematic nature of the universe . . . and our lives.
(fineliner pen on the back of a 55mm x 85mm business card) I accidently shredded this piece. It was a nice little drawing on the back of a business card, so it was annoying to lose it.
Faster than you think. Simple finale. Drawn with the 'hay' technique, using a computer mouse, all with one brush. I've published the sketches before, so you can follow the creation process. The 'hay' sketch on one layer, then another on the other, on and on until you get the lineart, then shading and colors. That’s all.
I've completed my part of the art trade with @daydreamerdahlia!
At first, Anya was just in a dress, but then I thought it was kind of weird that Caroline was wearing a coat, and Anya was just in a dress outside, so I redrawn her coat.
The scar and earrings are still there! But I didn't want to hide her colorful coat under a shawl.
Green goes well with her red hair, and to blend in with Caroline, I went with green.
I imagine it as some kind of girls night out. Well, not a girls night out, Caroline in her male persona Smarty, I imagine her name already carrying weight and no one will bother them!
Tommy can chill at home this time.
An intuitive mix of fluid watercolor gradients and intricate fineliner patterns, wrapped up in a golden border. A little bit biological, a little bit whimsical.
A delicate, hand-drawn study of the Blue Liverflower (Hepatica), capturing the first signs of spring. This design features breezy blue petals, energetic linework, and a minimalist vase, blending a classic botanical feel with a modern, sketchy illustrative style. Perfect for those who love the quiet beauty of forest wildflowers and cottagecore-inspired art.
A whimsical depiction of an anthropomorphic frog making Freestyle motocross trick called "Seat Grab" in a classic penny farthing bicycle. The image is funny, humorous and minimalist, featuring a simple outline.
This is my avatar, a mix between Frankenstein, a Vampire (Mainly a Pricolici), and a Krsnik. I will eventually add shading, lighting, color, I will edit the linework and I will edit the etch marks.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.
A whimsical illustration of a large horn-whale creature with fangs, an anchor tattoo on his fin, and a tattoo of how many ships he has sunk on his back, with a whale rider perched on its back, is surrounded by gentle waves. The contrast between the massive creature and the tiny rider suggests a playful narrative. The muted colors and simple lines create a charming and imaginative scene.
Drawing up my friend's OC again. I tried to make him in a more dynamic or badass, but I couldn't do it. So, I went with this pose and focused more on the lining.
