lit

Being funny with students requires a certain amount of facial expression. I have been debilitated in my attempt to be funny with students.

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

Acrylic on 16 x 20 canvas

BEING GREEDY CHOKES ANANSI From Favorite Folktales around the world by Jane Yolen. One time, Anansi lived in a country that had a queen who was also a witch. And she decreed that whoever used the word five would fall down dead, because that was her secret name, and she didn’t want anyone using it. Now, Buh Anansi was a clever fellow, and a hungry one too. Things were especially bad because there was a famine, so Anansi made a little house for himself by the side of the river near where everyone came to get water. And when anybody came to get water, he would call out to them, “I beg you to tell me how many yam hills I have here. I can’t count very well.” So, one by one he thought they would come up and say, “One, two, three, four, five,” and they would fall down dead. Then Anansi would take them and corn them in his barrel and eat them, and that way he would have lots of food in hungry times and in times of plenty.

THE LITTLE OLD WOMAN WITH FIVE COWS From Favorite Folktales from Around the World by Jane Yolen. One morning a little old woman got up and went to the field containing her five cows. She took from the earth a herb with five sprouts and, without breaking either root or branch, carried it home and wrapped it in a blanket and placed it on her pillow. Then she went out again and sat down to milk her cows. Suddenly she heard tambourine bells jingle and scissors fall, on account of which noise she upset the milk. Having run home and looked, she found that the plant was uninjured. Again she issued forth to milk the cows, and again thought she heard the tambourine bells jingle and scissors fall, and once more she spilled her milk. https://www.instagram.com/p/CnnCvkZpxW0/?utm_source=ig_web_copy_link

This started as a pencil drawing (see the 2nd image) that I scanned and put into Photoshop. I tried various filters including: Smudge, Ink Outline, some Splatter, changed the Exposure and added a Sepia Photo Filter. After a couple of hours of playing (I’m not very knowledgeable about digital possibilities and just use trial and error) I ended up with a dramatic image with which I am quite happy. The reference was a magazine advertisement.

Been working on a drawing of my cat recently so decided to layer in my favourite colour for this prompt… orange.

I was looking at what Pixabay might offer as inspiration, and found this fish. Perfect for a ballpoint pen drawing. The incompleted drawing in the second photo was taken before the final "glaze" of little scribbles of turquoise pen across almost the whole surface. It was a happy accident that made for a shimmery, iridescent fishy quality.

Hammer Horror and Highgate Cemetery – two of my favourite things, thus this . . .

Winding down with a little watercolor fun.

hey there☘️ while taking a walk in the forest i came across a little treehouse. it inspired me to draw this one. i love to look at the stars at night and drawing this reminds me of the times where i looked at the beautiful night sky in france some years ago.✨ have a lovely day :)

Agnes helps a little squirrel gather leaves for a nest

Just a little cactus

An addition to Simone's adventures

Sensuality, power and fertility - meditative layers and tangles of flowers, weeds, and grasses. A bee emerges, free! Ultimately a positive message of hope!

I'll be honest, this prompt stumped me a little bit, I wasn't sure where to go with it. Here's my take on it, reflecting the 50s and 60s vibrant music scene and the Cold War shadowing it.

I've spent recent lockdown days watching far too many Youtube videos about attachment styles and honestly it makes a lot of sense. Here is a little message for my anxious preoccupied self

Please let me know what you think! I’m not sure abt the eye, the reference pic I’m using is low quality so I’m kinda improvising. Any tips or suggestions would be greatly appreciated!

I've been a little down what with the current state of affairs. Also, it's Mermay.

Another one for #transmundanetuesdays, with prompts by Carson Ellis (an older one tho), this is my #glovedandspikeybricklayer! He looks evil but he's just allergic to non-spikey things.

We live in such a busy world. Everyone’s walking in a fast pace. But I think it’s okay to stop for a moment and breathe.

A simple little penguin watercolor study

Little illustration drawn using 0.03 and 0.05 fineliners.

Little illustration drawn using fineliners.

Little monster takes a ride with some sentient flowers.

I made this litthe card for my aunt and uncle.

Little pause in my travelbook, for little watercolors mixed with ink pen on parisian landscapes

THE LITTLE GIRL AND THE BALLOON by Ben Loory. "That night the mother had a terrible dream. In the dream, Annie was a balloon. She floated up out of her bed and through the open window and away across the sky toward the moon." https://www.instagram.com/p/CgzLv_COUat/?utm_source=ig_web_copy_link

I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.

A silly watercolor sketch, I know, but there's a lot tied to this little thing. There are so many bittersweet feelings lately. I tend to avoid putting a numerical value to time, I don't like the count-down aspect to things, especially knowing how obsessive I can be with that. It allows me to live in some semblance of ignorance (they say ignorance is pure bliss). There's a lot of tip-toeing around what I want to say and what I'm afraid to say, or even what I'd love to explore and embrace and simply afraid to. It's something I'm not used to. It's taken me quite a while to finally sit with certain things, or even acknowledge them, and it feels like there's so much more I'm now realizing. It's odd to be so frank to some and worried that others may find out. There's a lot of shifting again, goodbyes coming soon, complicated feelings and situations.