location

Another sketch from Austria during the Nomadic Village in the first location with our Gallery on Wheels and other beautiful vans and buses! Austrian mountains are simply beautiful !! :) enjoy

My drawings today from my sketchbook class, we were drawing cadavers. These are from the head and neck dissections of the donors. This is one of my favorite locations I take my students. It is humbling.

Dukelskych hrdinu | Veletržní

Drawn on location with ballpoiny

A quick 4x6" colour sketch in did in preparation for a much larger painting. Llyn Y Fan Fach is one of my favourite locations in Wales.

London - from the bar on level 6 of tate modern and from inside borough market

with fish in 'new asia food' in berlin danckelmannstr, as the only guest. the host did grow an impressive grey beard, that unfortunately is hidden behind the counter, where he sits, working on something and occasionally receives orders via phone.

Landschaftpark Duisburg-Nord, Germany. This abandoned steel mill is transformed into a industrial heritage centre and landscape park. It's a great location for photographers and urban sketchers.

Evening mountain view with swallows

Friday night I sit at a lantern near the exit of the subway Wilmersdorferstraße. Next to me a pile of electric scooters, their taillights shining red, ready for rent. To the left, people go to the subway or come out, then the escalator starts, screeching

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

an afternoon in berlin grunewald forest

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

Taken Dec 2019 - location Mexico Beach, Florida. Oh how I wish I could fly..

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

I finally drew Prince Fendren's ectoplasmic yet wicked companion,Snideacious.last time I drew him was last year and I didn't name him at all but he was still my OC.He is a low ranking phantom demon who's only purpose is to possess,kill and destroy.due to this,the rest of his kind has been wiped out entirely,making him the only possessor demon in hell,he travels throughout locations in hell.he was almost killed by many demons he tried to take control of.Fedren and him have a mutual relationship,Fedren had no desire to kill him considering snides weakness is magick he can be controlled but not mind controlled (no brain)Snide hates Fedren,often insulting him and even enjoying seeing him in pain when he is fighting a foe.Snide has possessed Fedren before,which was not only agonizing to Fedren but embarassing (being half naked inside the kingdom) since then he only posesses him for a good reason,they both go on adventures (although dangerous) in hell together,meeting new demons(usually evil) and discovering realms.(ignore my terrible handwriting)

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. *including the whole spread, as sometimes I like the "waste" page most.

I started painting with acrylics again towards the end of 2018. On 4x6" canvas wraps, they were so small, but so much fun to paint. I was pleased with this one except for the fact the magentas for the foxgloves weren't as vibrant as I hoped. The location that inspired it is Irfon Forest in Mid-Wales. I can't imagine it's a particularly touristy spot, but it's an absolute hidden gem with extensive views over the Brecon Beacons.

Drawn on location with a rotring Art pen

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.