I've finally redrawn my profile picture! Except, my actual profile picture will be magenta instead of blue. This design still isn't canon, but I haven't found the motivation to redraw the entirety of the Ringmaster's crew. My last attempt was with the advanced version of Elizabeth, and the unfinhed Preistor, but they take so long to make --- and that's why Preistor goes unfinished. The reason they take so long is because I also sculpt the endo inside of them, in which the 2.5 versions didn't have an endo, and the joints and such were put in after I had drawn ths shell. Drawn with FireAlpaca.
It always amazes me that, for such an icon of cinema, Boris Karloff’s Mummy only ever appears on screen, in his bandages, for just a few seconds; but maybe that’s part of the whole enigma and its longevity, and why perhaps the idea of imagining him in something new felt so appealing.
A suit I designed for a fantasy SWAT (TSWATT, or the Taured Special Weapons And Tactics Team). They have wings which can fold into themselves, so far that they cannot be seen unless you look behind the back. They have special long fall boots (sort of like the ones from Portal) that allow them to fall from great heights. They have special glass goggles that act as sort of a VR set, in which they can see through smoke and walls if the area they are in is mapped out. The little orange thing on their chest records everything they witness. Drawn with FireAlpaca.
My latest/last portrait of Joe Rogan and using a 3 year long project of drawing and digitally coloring his guests (500 in total) to create a mosaic. Prints available at https://society6.com/gbernard
Galaxy of blacker is about blackers people whoese lives are full with darkness.They are laxk of luck and surrounded by desperation.They face falls on every steps. According to maker,blackers belong to the other world.The world wheres happiness, luck, comfort and hope is not easy to get.
One of the rare times when my son draws for long enough for me to get one in, too. This was while we were waiting for our lunch at an outdoor table when that was still allowed.
(HB pencil on 130mm x 120mm paper) With pandemic lockdowns happening all the time, it's created something of a Victorian feel to Christmas, so it was no surprise that I drew this for the Christmas cards I do at this time of year, along with a very odd version of a round-robin message attached to it. You can read it here: https://www.skavart.co.uk/2020/12/merry-christmas-2020-round-robin.html
https://www.webtoons.com/en/challenge/orki-n-friends-/granny-mayflower-part-2-/viewer?title_no=383303&episode_no=2 ,Yes, I mad e a webtoons comic, like, a really long time ago, its still there, because I regret nothing and shall never remove it . Click link for more
Sketching at the Academy (California Academy of Science) with my five year old. This was so fun. There was so much movement that he actually focused on his own sketchbook for long enough for me to get one in. Usually, he's done by the time I put the clips on my book! The Academy and all museums are closed again with SF preemptively joining the rest of the state in the extended stay at home order this past Sunday 12/6/2020. Grateful we got to go several times while it was open.
Watercolor 2003-4. Patience, good temperament, civility, humility, love describes my grandmother's life--born in the late 1800s, she faced more difficulties in life than I have ever faced. This painting represents longing to return to her.
So, the shorter animatronics that I posted earlier were actually the second versions of those animatronics. I redrew them because of... how they looked, I guess. Their proportions were way off. This animatronic is the third version of one of the animatronics, Elizabeth. I was planning on making more of these guys, to update them all, but it takes hours to make these guys, because I also have to make the endoskeleton for them. So, right now, Advanced Elizabeth sits in Jester's workshop, where she'll be alone for as long as I don't make another advanced animatronic. Personally, I think these look a lot nicer, but the second versions (the ones I posted) have a certain charm to them. I'm also working on the right stage animatronics, the red fox and the DJ. Drawn with FireAlpaca. Don't expect any more of these advanced guys.
I feel like I haven't made any actual art in a while, let alone actually said anything about anything. It's been a long week, in both good and bad ways. First off, I was accepted into college, and then (for lack of better words) I accepted my acceptance to that school (I'm officially a Blue Demon!). Gymnastics is shut down, which I feared would happen, due to the rising cases in IL. It'll be closed at least until after the holidays, which scares me, but it is what it is (I wish people would just follow guidelines and wear masks)... I've been frustrated lately, mostly artistically. I go through times where I'm not satisfied with anything, nothing is good enough but all I want to do is create. There are a few larger projects I've been working on in the background, two for school and one personal. The personal one I haven't had much time to work on, but I'm hoping I will over the next few days (since I'm on break.) So yep. Lots of moving parts right now. Anyway, I hope everyone has a safe Thanksgiving!
I'm a big fan of DSaF. I love the characters (kebab boy is my personal favorite), and I cried once I found out that they all freaking die in the end. But not like a little bit of programming can't do the trick, right? I'm using the same sense of Glitchtrap (aka not really being William, but rather an AI or sorts of him) to bring back (a replica of) Jack, Dave, and Henry in the modern world. They're stuck in springlock suits right now, surrounded by wires, as somebody works on them. Dave is in the Bonnie suit, Jack in the Fox suit, and Henry in the Freddy suit. The man who is working on them plans to open a pizzaria, and work alongside the three to create the "Fazfrick's experience". He will wear the Chica suit, because nobody else wants to be the girl. This is so sad. Drawn with FireAlpaca.