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mage

Garima Madavi Garima Madavi
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My Life Doodle

This image describes me. What all I like and enjoy.

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Josh Gee Josh Gee
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Mage, spell. Priest, get your god on the line

Demon dragon cow Vs a party of adventurers

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Chandra N. Chandra N.
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Read the Description.

Y'all, if you guys have Instagram, please be careful. There are people under the name erratas that are targeting people. They will send gore images and might even track your address. Please share this to everyone.

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KAYE J. FOSTER KAYE J. FOSTER
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SELF IMAGE IS GREAT

NO SELF IMAGE PROBLEM HERE

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Stephen Stephen
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Peter took His Eye off Jesus and began to sink.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

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Tina Sonntag Tina Sonntag
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C-Rad

The picture is terrible. the colors are much brighter... Named for the person liked it most Marker, sharpie, watercolor markers. Simple way to get out of my mind, relax, zone out, I call it brain numbing style because to me it's simple (but it's not really) and just what I do no rhyme or reason. I Just start drawing lines (no subject) with black sharpie/perm marker and see what develops, often surprise myself. I go back and see faces, objects, figures... Closing lines up I see more and then as I start adding color more images develop, no theme to begin but rather it develops as I color and close it in . I tend to see faces a lot especially in graphite or charcoal and in just about anything...rocks, wood, paneling. At times I start with a scenery or subject but turns out completely different and the original never happened. I find out after I look up from being so focused (call it zoned out)

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priscilla galindo priscilla galindo
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Shades of Pink > Grimes cover art
1/3

Water color pencils in a monotone piece of shades of pink. This was pretty hard considering I didn't have any magenta or hot pink hues. I had to create them and it was a pleasure. This was inspired from one of the artist's Grimes cover art.

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Reece139 Reece139
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Surrealist Horse

I was required to do this for an art class. It’s just a very strange image :)

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Shannon S Shannon S
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Winter Dragon

Part of the Winter Dragon clan, this is an image of the queen dragon.

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Indiandoodler Indiandoodler
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The cat and the door

Sometimes simplicity is the best medicine....like this simple door and this simple cat staring at the door.............I can stare at this image of the cat staring at the door all day....................Is that weird?

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Terra Seaman Terra Seaman
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Blair
1/3

I live in a very small town, and one of my students is transgender. Her courage despite her struggles has inspired me. The lyrics in the second image are actually from a song she has written.

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JMelven JMelven
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Debbie Harry (Blondie)

Digital Painting done in Procreate - based on the classic Mick Rock image 1978

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Carolin Schottenheimer Carolin Schottenheimer
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Inktober 31. Mage

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Joan Savitt Joan Savitt
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Elizabeth Warren has A plan for that

This image is part of my "Leading Ladies" series, about progressive women in US politics.

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Star Flower Star Flower
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Astral Meteoroid

Been out of the hospital for four months. Struggling to lessen the urge to self harm. Breathing meditating and purging of the negative with soft pure thoughts containing flowers surrounding every image of my heart.

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Wassily -Kandinsky – Painting style Wassily Kandinsky –Circles in a circle - 1923

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » de Galasymptomes Rhinocerontiques de Dali

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Armando Armando
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Mermaid on the Beach

This was the very first mermaid illustration that I've created for my business called Dream Pigment. I ran a small print run of this image and have sold this at comic book conventions and art events.

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Ma Kwi (마귀) Ma Kwi (마귀)
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4 seasons

image torsion w/ four colors

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LeBoucher LeBoucher
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Remake : Henri Matisse : nu bleu II – 1952

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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LeBoucher LeBoucher
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Remake : Francis Bacon – autoportrait

Remake : Francis Bacon – autoportrait Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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Old bone story and artwork Old bone story and artwork
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Observers with a golden eye, modern, contemporary or similar painting

A3 format, acrylic, felt pen, colored pencils Visual artists from the World of Fantasy are familiar with these creatures who are alive to every creator. Their court cannot be affected, there is no way to deceive the inner voice that knows the truth, created by the Observers. When the artist starts with some work, they appear, at first in a small number. At the end of their work, eg some pictures or sculptures, and especially when finished, their number is significant, they carefully study the artwork, and if they see a mistake, disharmony, lack of emotions, etc., dissatisfied will grumble somewhere inside artist's insights. The artist will feel that his work is nothing special, similar to many other artistic attempts that disappear in the dark of forgetfulness. Some spark is missing in his artistic creation, which would do its job gave a life that lasts. The disapproval of the Observer, their unpleasant resonance, if frequent, it can make a more sensitive artist to dump the brush and consecrate himself a completely different job, in which self-criticism does not play a significant role.

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Old bone story and artwork Old bone story and artwork
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Art Gallery assheads of the World of Fantasy, with a story about the King of the Dwarves, outsider picture

It's always fun to come to the Art gallery of the assheads, marginal artists of the World of Fantasy. Today I have seen the picture you are looking at, it made me interesting, as more people worked on it, not considering the picture as a whole, nor the work of its predecessors. Then, out of a large cardboard box, an old man came out and came to me. There were two big holes in the box, so I realized that the guy was looking at me from the box for a while. - Do you like the picture? - he asked. His eyes, red from lack of sleep, staring at me. On the old clothes he wore on himself, there was a stain of color. - I was impressed with - I said cautiously, knowing the unpredictable nature of people who deal with art - Did you do it? His face was stretched into a smile, a few teeth that he had left, flashes from the mouth cavity. - Yes - proudly erect his chicken breast an old man - Inspiration wore me all the time! He looked at me with a look that required my other questions about the image, need to tell any story, to anyone, about his work, was in it taut like a catapult. - What inspired you? - I ask the old man, and he barely welcomed the question and said: - Last week I was visiting my friend Jergon, the King of the Dwarves. (His statement that the mighty King of the Dwarves his friend was so incredible, that it must have been true. Assheads usually have unusual life stories.) "It is well known to you that the dwarves appreciate their privacy, keep their place of residence confidential and may be ruthless if you disturb them. As a friend of Jergon, "the old man says," I have surely passed the territory of the dwarves. As I approached his home, I noticed more and more than the vicinity of his underground apartment - in the old roots - was edited by the gardening techniques of the dwarves. Dwarves worship their king and their nature makes them do something for him every day. For example, to clean the weed and planted rare plants and flowers around his house. Some day they polished the old root under which the King lives. So the environment of his house went out completely artificial, unnatural. The king is angry because he now has no privacy, his home has become like a public park, sweet hide, dear dwarves, was taken away from him. He told me. "Dear friend, if you think it's nice to be a king, you are not right. Everything has its own price." This visit inspired me to paint this work. - I nodding my head as if to understand how much potential was in that situation, so inspiration was a natural consequence. - Art freedom is expressed here - I said to the old man - maybe with the King of the Dwarves, on it, the picture was even more effective. The old asshead looked at me strictly and asked: - Did you see the King of the Dwarves? "I did not even see an ordinary dwarf," I admitted. The old man looked at me for a moment or two with a disappointed look, then he turned and entered the box. I felt a look from the box on my back as I left the gallery.

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Lena Zvereva Lena Zvereva
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Alcoholic flowers

Tried out some layerish-style flowers using the alcohol markers. Not sure weather I like the result or not, but it’s definitely worth mastering the medium for the effects are rather cool. In theory... Unfortunately the camera sharpens the image and the flowers are more soft and blurry in reality. They look rather fancy and mysterious on the opposite side, too.

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Old bone story and artwork Old bone story and artwork
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How to become a wizard, a story about the way, a picture with a star and a head, with unnecessary details, outsider art

A 3 format, mixed technique. "My dissatisfaction with my progress in magic is growing," I said to the wizard Cirilo Bum, "I want to quickly become a wizard and not stagnate in the place." "Every creature, so the wizards, have their own way, and always travel, even if they stand in place," the old wizard answered. Then make a quick gesture by hand, a piece of paper was created in his hand. Give me the paper and say: "This is your way, the way you will have to pass before you feel the pleasure of becoming a wizard. When you get to the green path, you've almost succeeded." This paper, the picture you are watching, was a weak attempt by Cirilo Bum - one in a row - to express his artistic side. - If there is a magic spell or magic process in the picture, it would be good - I mumbled sullenly - what is this drawing at all? - The drawing contains all the answers. You have to start thinking with your head, think a lot, if you want to become a wizard - sighs Chirilo Bum - You are on one of the yellow points. The picture shows two tracks, each you need to cross. Paper, namely drawing, is a world of magic and witchcraft. The world of witchcraft, then, touches on the real, material world. I was studying the picture for a while and all I've concluded is that the green trail is not connected to another path. "There is an error here, it is impossible to reach the green path," I said to the wizard. - The only one who learns and understands the material world in which he lives is advancing in every sense - answer me the wizard Čirilo Bum - if your ground is firmly under your feet, it is easier to climb the path of witchcraft. On the other hand, too long a stay in the world of magic may end up with a fall in the unknown. I nodded because I did not get the answer I needed, so I went to the forest. "Do not forget to clean the house, my boy," Cirilo Bum told me as I left. I was in the mind other things, the formulas I found in the old books of Cyrus Bum. (Speaking of these magical formulas will lead to the appearance of five giants (Mato Bumps, Bruno Biceps, Miro Mass, Karlo Stone, and Alayas Him) in the world of Fantasy.)

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Christine Welman Christine Welman
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Bête Mask

Costume design for a Beauty & The Beast painting project. The mask is inspired by Baroqu-era gargoyles and grotesques. Had the pleasure of this image on my phone scaring the hell out of my favorite bartender, whose voice is usually low enough to be the voice of God...usually. XD

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Mariana Gomez Mariana Gomez
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Sketch

Drawing sketch of a character im working on, it is an image monster that can manipulate reality

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Hermit Hermit
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Magic Spark

(HB pencil on 63mm x 35mm card) An image taken from a recent video tutorial I did showing how to create Dreamscape artworks. The video can be viewed here: https://www.youtube.com/watch?v=xW-PDd7Co44

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Jennifer Solomon Jennifer Solomon
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january demon

only image to visit this past week

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Viktor Wilde Viktor Wilde
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Alcoholic Smoking Fetus Of Multiple Erection

An image to be odd in these waves of loud expressive words. Walking creature amused in the dance that extends to the thinking realms deeper. Relaxed be the sight of a wonderful ride.

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