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make

LeBoucher LeBoucher
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Remake : Henri Matisse : nu bleu II – 1952

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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LeBoucher LeBoucher
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Remake : Francis Bacon – autoportrait

Remake : Francis Bacon – autoportrait Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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Old bone story and artwork Old bone story and artwork
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Observers with a golden eye, modern, contemporary or similar painting

A3 format, acrylic, felt pen, colored pencils Visual artists from the World of Fantasy are familiar with these creatures who are alive to every creator. Their court cannot be affected, there is no way to deceive the inner voice that knows the truth, created by the Observers. When the artist starts with some work, they appear, at first in a small number. At the end of their work, eg some pictures or sculptures, and especially when finished, their number is significant, they carefully study the artwork, and if they see a mistake, disharmony, lack of emotions, etc., dissatisfied will grumble somewhere inside artist's insights. The artist will feel that his work is nothing special, similar to many other artistic attempts that disappear in the dark of forgetfulness. Some spark is missing in his artistic creation, which would do its job gave a life that lasts. The disapproval of the Observer, their unpleasant resonance, if frequent, it can make a more sensitive artist to dump the brush and consecrate himself a completely different job, in which self-criticism does not play a significant role.

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Old bone story and artwork Old bone story and artwork
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Art Gallery assheads of the World of Fantasy, with a story about the King of the Dwarves, outsider picture

It's always fun to come to the Art gallery of the assheads, marginal artists of the World of Fantasy. Today I have seen the picture you are looking at, it made me interesting, as more people worked on it, not considering the picture as a whole, nor the work of its predecessors. Then, out of a large cardboard box, an old man came out and came to me. There were two big holes in the box, so I realized that the guy was looking at me from the box for a while. - Do you like the picture? - he asked. His eyes, red from lack of sleep, staring at me. On the old clothes he wore on himself, there was a stain of color. - I was impressed with - I said cautiously, knowing the unpredictable nature of people who deal with art - Did you do it? His face was stretched into a smile, a few teeth that he had left, flashes from the mouth cavity. - Yes - proudly erect his chicken breast an old man - Inspiration wore me all the time! He looked at me with a look that required my other questions about the image, need to tell any story, to anyone, about his work, was in it taut like a catapult. - What inspired you? - I ask the old man, and he barely welcomed the question and said: - Last week I was visiting my friend Jergon, the King of the Dwarves. (His statement that the mighty King of the Dwarves his friend was so incredible, that it must have been true. Assheads usually have unusual life stories.) "It is well known to you that the dwarves appreciate their privacy, keep their place of residence confidential and may be ruthless if you disturb them. As a friend of Jergon, "the old man says," I have surely passed the territory of the dwarves. As I approached his home, I noticed more and more than the vicinity of his underground apartment - in the old roots - was edited by the gardening techniques of the dwarves. Dwarves worship their king and their nature makes them do something for him every day. For example, to clean the weed and planted rare plants and flowers around his house. Some day they polished the old root under which the King lives. So the environment of his house went out completely artificial, unnatural. The king is angry because he now has no privacy, his home has become like a public park, sweet hide, dear dwarves, was taken away from him. He told me. "Dear friend, if you think it's nice to be a king, you are not right. Everything has its own price." This visit inspired me to paint this work. - I nodding my head as if to understand how much potential was in that situation, so inspiration was a natural consequence. - Art freedom is expressed here - I said to the old man - maybe with the King of the Dwarves, on it, the picture was even more effective. The old asshead looked at me strictly and asked: - Did you see the King of the Dwarves? "I did not even see an ordinary dwarf," I admitted. The old man looked at me for a moment or two with a disappointed look, then he turned and entered the box. I felt a look from the box on my back as I left the gallery.

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Old bone story and artwork Old bone story and artwork
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How to become a wizard, a story about the way, a picture with a star and a head, with unnecessary details, outsider art

A 3 format, mixed technique. "My dissatisfaction with my progress in magic is growing," I said to the wizard Cirilo Bum, "I want to quickly become a wizard and not stagnate in the place." "Every creature, so the wizards, have their own way, and always travel, even if they stand in place," the old wizard answered. Then make a quick gesture by hand, a piece of paper was created in his hand. Give me the paper and say: "This is your way, the way you will have to pass before you feel the pleasure of becoming a wizard. When you get to the green path, you've almost succeeded." This paper, the picture you are watching, was a weak attempt by Cirilo Bum - one in a row - to express his artistic side. - If there is a magic spell or magic process in the picture, it would be good - I mumbled sullenly - what is this drawing at all? - The drawing contains all the answers. You have to start thinking with your head, think a lot, if you want to become a wizard - sighs Chirilo Bum - You are on one of the yellow points. The picture shows two tracks, each you need to cross. Paper, namely drawing, is a world of magic and witchcraft. The world of witchcraft, then, touches on the real, material world. I was studying the picture for a while and all I've concluded is that the green trail is not connected to another path. "There is an error here, it is impossible to reach the green path," I said to the wizard. - The only one who learns and understands the material world in which he lives is advancing in every sense - answer me the wizard Čirilo Bum - if your ground is firmly under your feet, it is easier to climb the path of witchcraft. On the other hand, too long a stay in the world of magic may end up with a fall in the unknown. I nodded because I did not get the answer I needed, so I went to the forest. "Do not forget to clean the house, my boy," Cirilo Bum told me as I left. I was in the mind other things, the formulas I found in the old books of Cyrus Bum. (Speaking of these magical formulas will lead to the appearance of five giants (Mato Bumps, Bruno Biceps, Miro Mass, Karlo Stone, and Alayas Him) in the world of Fantasy.)

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Lena Zvereva Lena Zvereva
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The final hand lettering composition.

The complete first task of my lettering course. I thought maybe wait for the critique and refining it it before uploading here. Yet the suggested changes would make a whole different work.

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Theresa Polenik Theresa Polenik
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ATC Cutie

Color pencils and gelly roll glitter make up this ATC sized cutie. Her hair and bows are soft and powdery while her hearts shimmer and sparkle.

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Patricia AR Patricia AR
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SADNESS CAN TOO BE BEAUTIFUL

You can always make depression, stress and sadness into something cool. Just doodle it out.

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Tim peterson Tim peterson
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”thompsonville aeroplane drill team”

Thompsonville Stunt aeroplane drill team flying over , a make belief town, south of St George, Utah.

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Jamie Jamie
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F13 Flash

Took a stab at a Friday the 13th flash page.last year, just for fun, not being a tattoo artist I have no idea if it's usable but they were fun to make.

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Amanda Amanda
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Make Yourself At Home

Request from a friend that loves squirrels and asked me to draw her old fashioned stove.

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Yugene Yugene
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Ethereal Angel Boy

I was going to leave this as a sketch but I decided to finish it, and I'm kind of glad that I did. I'm not going to make him into a new OC since I'm already held up by making a comic with two already amazing OCs, but this angel is really adorable.

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Lazaria Roseboro Lazaria Roseboro
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Simple animation

I'm working on a comic that I want to make an animation. So I did a short one for fun :D

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Lindsay Baker Lindsay Baker
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Punk Rock

So I had this idea for a series; fun, whimsical paintings of pet rocks. Full of personality, sweet, make you laugh, that kind of vibe. First one I draw is this. I was so horrified by it I haven't drawn another one since. I'm not kidding; I'm actually quite upset to discover I can't draw "sweet". Or maybe it was a bad day.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 17

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Hummingbird in flight

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Sh

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 13

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 4

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Violet smith Violet smith
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Waching over

Still dont know how to make it not sideways

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priscilla galindo priscilla galindo
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Princess Series
1/5

This is a princess series that I did back in 2014. You can see how she had a makeover a couple of times.

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Nazia Bibi Nazia Bibi
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Love equals Damage

Everyone thinks that they love will have a happy ending, but those are the lucky ones. What about those who have their heart played just to get the pleasure fulfilled. What happens to those who kept promises but never fulfilled them, just forgot them like they meant nothing, no memories of them were made, it had nothing to do with them. This picture that I developed at this stage of a person's life shows that they don't ask for nothing beside a happy ending, sitting together and enjoying each other's company. What was the need of stealing someone's heart, use them for your own desires and then just throw it away? What did they get at the end? It was easy for them to make promises, gaining their trust, building hopes but harder for them to prove it. Day by day the pain kills them inside but to the world they are nothing more but alive and energetic, but who knows what’s happening from the inside, when they are just trying to live each day until death comes. At this moment of time no one can heal the cuts, them deceitful memories by the one who once said they will never hurt you or leave you. But I guess one day everyone does leave you, maybe today or tomorrow. She was told to forget him because he was nothing beside a memory. He wasn’t worth it. He walked away from her, but maybe she was too caught in his memories.

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Tracy Boness Tracy Boness
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Retro Connection

Two little mobile phones meet and make a connection

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Leah Lucci Leah Lucci
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A different kind of mermaid.
1/2

This mermaid/siren is the type that's a man/octopus instead. I think he'd make a nice tattoo if he were cleaned up a bit.

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Rainy Hexemer Rainy Hexemer
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Untitled

Ballpoint pen doodlebomb, she's so pretty, so I just had to make her even more exotic ;)

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Brady Scott Brady Scott
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Untitled

Diversity makes US great! Graphite, Acrylic & Color Pencil on Watercolor Paper.

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Hermit Hermit
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NUDE BY NUMBERS

(fineliner on a 87mm x 139mm postcard) A piece that makes you think more about colour where there is none.

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Bleu Hope Bleu Hope Plus Member
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“I Never Said I Had To Make Sense”, March 2024.

Jazz inspired whales for drawing no. 2 today!

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Tonya Doughty Tonya Doughty Plus Member
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Somewhat Daily: Feb. 23, 2022
1/3

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.

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Tonya Doughty Tonya Doughty Plus Member
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Somewhat Daily: Feb. 22, 2022
1/3

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.

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