A colour pencil drawing using Derwent Artists pencils on thick cartridge paper. I wanted to show the car speeding down the highway, and so tried to make the tress appear as though they are a blur - Many thanks for looking !
One of my abstract mandala-type designs. It is available as a print on products on Redbubble, Society6, Zazzle, and Threadless. This link will take you to all sites: https://linktr.ee/okhismakingart
An incorrectly oriented version of "London Flora," a watercolor and marker work I did to show many of the flowers I encountered during a three month stay in London. It is available (right side up) as a print on products on Redbubble, Society6, Fine Art America, Zazzle, and Threadless . Use this link for easy direction to all sites: https://linktr.ee/okhismakingart
(HB pencil on below A6 paper) One of a number of sketches I did in a small sketchbook I made for myself. They became a series of them based on one character contained in its 10 pages. The full series can be viewed here: http://www.skavart.co.uk/2018/10/lulani-greenstar-elven-witch.html
This was a final assignment for my most recent figure drawing class. There's some things I'll probably play around with but for now I'm definitely ready to set it aside for a bit. Time: 8 hrs Medium: Procreate on iPad.
Every year my uncle asks for hand-made gifts about his "awesomeness". I whipped up a quick homage to our family tradition of playing super complicated games that inevitably end up in rule debates and many beers/wine. :)
An original character of mine. November 2018. Her name is Jinx Muun. A modern day witch, born on the 1st full Moon, on Friday the 13th. She is a feisty, independent and strong young woman. Her powers come out most during a full moon, where her skin takes on a lilac color and her eyes shift colors as well.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
