It's crazy to think that we've been in a pandemic for a year or to think we could ever get used to this new way of life. March 13th, 2020 was the day everything stopped for me: it was the last day I went to school and the last day I went to gymnastics for 5 months. The promise of two weeks' time, something I somewhat desperately held onto. Going into this, no one knew what to expect, it was the first time many of us saw life as we know it stop. Quarantine has definitely taught me a lot emotionally, mentally, and how to reach out and work through (and what bad panic attacks feel like :) ). I think it also goes without saying that I got through most of this because of the people around me, and I can't say enough how grateful I am to be surrounded by such amazing people. So, here I am. Life is still pretty rocky, but it's a process. Thank you to everyone who's been along for the ride so far ❤
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
The model https://pin.it/6PvFJZ1 the heart https://www.etsy.com/listing/527243710/floral-heart-ii-anatomy-heart-print-of?ref=landingpage_similar_listing_top-2&frs=1&epik=dj0yJnU9LUE5LTJaeG1SUkdxVWllQnpVYnIyMjk3WU92dGNta1QmcD0wJm49TlAzTmV5WWxXeVU1ZElLNVhTUFVEdyZ0PUFBQUFBR0JMeG1j
First time I draw a woman's face and I don't have the feeling the result it's an androgyny man. Can't say what's the difference, but this time it worked for me.
There's a series, one of many, I've been slowly getting the motivation to work on. This character is one of a few. I'm going to working on facial expressions and then full body drawings.
Yet again, this came from a doodle... then from there, i just couldn't help myself & continued to add more fun & a few extra nutty bonus cartoons. Hence the number 6. A great caricature artist by the name of Al Hirschfield used to add & scribble his daughters' name into each drawing. He then would add a number next to his signature signaling how many times the name 'Nina' would appear. So in a similar way i too have decided to add a number but mine will simply offer a hint for how many extra cartoons i have deliberately added. Can u find them?
Salut ... je suis nouveau ici. Je me nomme Elimane et j'ai 20 ans. J'aime beaucoup l'art et j'essaie d'apprendre au maximum. Je suis surtout super fan de bande dessinée, mangas et autres. J'ai longtemps cherché à faire partie d'une communauté d'artistes mais en vain. J'espère pouvoir m'intégrer à cette communauté et y rencontrer plein de personnes intéressantes.
I stumbled across this old mill some years ago while walking in Drefach-Felindre. The area was once a hub of the wool industry, and now houses the National Wool Museum. I only managed to discover its name when I was doing a Google search as at the time of drawing, it was up for sale as an 11 bedroom property!
