There are many reference photos for iguanas on the internet. This drawing relies on three difference reference images. The drawing was done with a micron .005 pen and then coloring added with pencils. He was a lot of fun....I think there may be more iguanas or other lizards and reptiles in my future!
(2B pencil on 120mm x 105mm paper) A Skav Art piece depicting a hellish reality where out of control technology degrades and torments humanity, such as in this Techfernum Sorcerer.
For day 15 the inktober word was weak so I decided to approach the subject of hunting for trophies.
It is not the animal that's weak it's the human that's cruel.
A lot of species become endangered because of our need to kill. We should love and protect all the animals, not put them on walls (real or virtual) only for our pleasure and ego.
About once a year I set aside a page in my sketchbook, or bullet journal, to do a marker test. I go through every pen I own including Sharpies, highlighters, Bic Permanent Markers, Crayola markers, Stabilo pens, Expo dry erase markers and everything in between. I document the quality and determine whether to keep or toss the utensil. I find it’s easy to collect art materials, especially when you’re like me and switch mediums regularly. It’s important to know that when I reach for a certain pen or marker, it’s going to work the way I want it to. I do keep a page at the back of my sketchbook open for testing mediums, but it’s an important part of the process of creating art to go with the flow and just draw.
M is for Masstransitscope. Masstransitscope is a zooetrope made by Bill Brand in 80s. Now restored and enjoyed on the B line going from Brooklyn to Manhattan. It never fails to make me happy.
(HB pencil - 38mm x 20mm) A very small (and yes, those sizes are in millimetres!) example of a dreamscape piece taken from an A6 sketch-booklet I made. I chose this one from it to display here because it turned out so insane.
Ive been trying to draw human faces as its something i dont do as much normally. Its something ive really been enjoying though, its fun adding silly details and different ideas that can form from it.
An illustrated poem I did as part of my drive to learn Korean. I did this, along with 40 plus other illustrated poems, in my notebook. Here is an English translation of the poem: :
High Pine
Close to the brook I'm looking at a high pine
High pine I want to talk to you
Many questions I have
How many people have you seen?
How many sunny days have you seen?
How many rainy days have you seen?
How many people's voices have you heard?
How many birds' songs have you heard?
High pine can you hear me?
High pine can you hear me?
High pine do you have any good stories?
High pine do you have any good stories
I will listen well
Really
Really
Really
I share with you a very special project I had the pleasure to participate in 2021, an initiative of @humanityonthemove.hom with @thisisastromag
There were more than 70 artists who, in collaboration with refugees, worked together to build artistic pieces. The result was a virtual exhibition, which culminated in an online auction to support @donate4refugees .
With all the art pieces sold, they managed to raise 3336 euros. Here is the result of my collaboration with F.!
My first ballpoint pen person. This was a lot more time consuming than I expected, but I'm glad I hung in there and finally finished it. The reference for the drawing was a Getty Image.
As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years.
For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin.
Prints available via my website.
Superstitions: Skull.
It was claimed in Ireland for many years that if a man took an oath on a skull and was lying as he did so, he would be struck dead soon thereafter.
* Maybe we should bring that back and make politicians swear on the skulls of those who lied and died. I bet there would be less lying thereafter.
https://www.instagram.com/p/CGACG5jBcbo/?utm_source=ig_web_copy_link
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
Samuel Beckett (1906–1989)
On a late-night walk near Dublin harbor, Beckett found himself standing on the end of a pier in the midst of a winter storm. Amid the howling wind and churning water, he suddenly realized that the “dark he had struggled to keep under” in his life—and in his writing, which had until then failed to find an audience or meet his own aspirations—should, in fact, be the source of his creative inspiration.
“I shall always be depressed,” Beckett concluded, “but what comforts me is the realization that I can now accept this dark side as the commanding side of my personality. In accepting it, I will make it work for me.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #samuelbeckett @masoncurrey
