Artwork my own do not take. Natashive is known to make deals with anyone usually is deals fall through and the person ends up as his pet. Chicken man used to be a human until the deal turned sour.
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(HB pencil - 38mm x 20mm) A very small (and yes, those sizes are in millimetres!) example of a dreamscape piece taken from an A6 sketch-booklet I made. I chose this one from it to display here because it turned out so insane.
This picture was a participation to one of Creads' contest. I had to create a mascot for a french animation convention, with the theme CMYK. So... hu... I actually don't remember why I made the kitty six limbed, but hey, I'm not surprised by myself. Contest page https://app.creads.fr/u/recherche-illustrateur-dessinateur/concours-japanexpo-chara-design-2017/creation/417135/show
l dont have much to say since the character tells the whole story, so lets welcome John Wick
You can see all drawing process on Youtube / akinyaman art
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
