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media

Bleu Hope Bleu Hope Plus Member
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Summer The 1st Thirst, March 2020.

Once the curve flattens and we can all go about our usual businesses without potentially killing one another, let’s not forget all the good habits and so on we’ve picked up from staying the feck at home! Some sort of a summer will come, rest assured.

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Noah Mathue Turner Noah Mathue Turner
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Skull study

I am really suprised how this turned out I was expecting something totally different but love the result and wanted to show my progress

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Josh Gee Josh Gee
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Lone Turtle Master

https://www.youtube.com/watch?v=Q1exmnniFQw&t=3s Master of Kick-Butt Fu! Trainer of champions! Slayer of villains!

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Bleu Hope Bleu Hope Plus Member
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Vera Lynn For The Hipsters, March 2020.

The title for this one was inspired by a remark the DJ Marc Riley made on his BBC 6 Music show earlier in the week. Couldn’t resist getting inspired! As we self-isolate and/or minimise going out unless we feel the absolute need to, as Freddie of the Mercury once sang, “radio, someone still loves you ❤️”

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Adrian Amiro Adrian Amiro
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Lucy

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Bleu Hope Bleu Hope Plus Member
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“Trollsong”, March 2020.

Tonight’s tangent lead to this.

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Simon R Simon R
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Beautiful woman in blue

Digital drawing of a beautiful woman

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Bleu Hope Bleu Hope Plus Member
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“Skipping Planets”, March 2020.

May any aliens watching us worthy folks take us somewhere not so disease-riddled.

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Nora Thompson Nora Thompson Plus Member
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Rick (Plague Doctor)

Charcoal on mixed media paper

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Ben Ben
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Eddie Izzard

The British executive transvestite comedian extraordinaire.

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Stephen Stephen
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Peter took His Eye off Jesus and began to sink.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

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Anna Finkel Anna Finkel
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Abstract Bark

Mixed media - watercolor and acrylic inks on paper

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Mars Mars
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Pineapple Girl

My brother challenged me to draw a pineapple, so here she is as a cute girl!

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Mauricio Paz Viola Mauricio Paz Viola
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Identity

In this series called Identity (Identity), inspired by the people and the diversity of New York, I wanted to capture this diversity, the statics, the glamor, the fashion, the ethnicities, the culture and the splendor of this magnificent city. Mauricio Paz Viola

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Mauricio Paz Viola Mauricio Paz Viola
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Identity

In this series called Identity (Identity), inspired by the people and the diversity of New York, I wanted to capture this diversity, the statics, the glamor, the fashion, the ethnicities, the culture and the splendor of this magnificent city.

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Bleu Hope Bleu Hope Plus Member
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“Konami Kōda”, March 2020.

The final page in my current sketchbook! Stay tuned after the break folks.

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Laura Nett Laura Nett
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Blossoming out

Spring is coming, A time of change and new beginnings. - This is the first time posting something on this platform. I'm very curious about this community. If you have critique on this piece I would be happy if you tell me, so i can improve my art :)

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Bleu Hope Bleu Hope Plus Member
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Engine Death/Revival, March 2020.

For whenever you feel knocked down, but know you’ll be up again in no time at all.

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Valeria Loyola Valeria Loyola
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Portrait Practice

Practicing portraits

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Bleu Hope Bleu Hope Plus Member
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Order Versus, March 2020.

...versus what? Who knows.

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Adrian Amiro Adrian Amiro
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Moth

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Dominic McDaniel-Clark Dominic McDaniel-Clark
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Oil pastels

Thought I'd give oil pastels a try and honestly I really like them they are pretty fun to work with.

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Maja Rasic Maja Rasic
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Japanese beetle

Japanese beetle from The Blue Racer, A5.

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Maja Rasic Maja Rasic
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Nobby mouse

Nobby mouse from Doctor Snuggles, legendary old cartoon. Watercolors and ink pen on A5.

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Maja Rasic Maja Rasic
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Capricorn

Quick sketch with ink and watercolors, A5 size.

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Valkea Valkea
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Another Museum Car

mixed media on A4. Did this in the National Museum of Scotland

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Tina Sonntag Tina Sonntag
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C-Rad

The picture is terrible. the colors are much brighter... Named for the person liked it most Marker, sharpie, watercolor markers. Simple way to get out of my mind, relax, zone out, I call it brain numbing style because to me it's simple (but it's not really) and just what I do no rhyme or reason. I Just start drawing lines (no subject) with black sharpie/perm marker and see what develops, often surprise myself. I go back and see faces, objects, figures... Closing lines up I see more and then as I start adding color more images develop, no theme to begin but rather it develops as I color and close it in . I tend to see faces a lot especially in graphite or charcoal and in just about anything...rocks, wood, paneling. At times I start with a scenery or subject but turns out completely different and the original never happened. I find out after I look up from being so focused (call it zoned out)

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Bleu Hope Bleu Hope Plus Member
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“Mushroom Chickpea³”, February 2020.

Something unicorn-shaped(ish).

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Bleu Hope Bleu Hope Plus Member
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Slumbersong, February 2020.

Resting up before another big season starts!

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Nicolae Vasilescu Nicolae Vasilescu
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Wounded Warrior

Abstract art

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