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SEARCH RESULTS FOR

media

Hopeazul Hopeazul
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Love of textures

Textures of paint

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Joyce Cole Joyce Cole
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Get Your Kicks

A little doodle made on a vintage index card from an auction...monoprinted with acrylics, then doodling.

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Jaroslaw Jaroslaw
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Her hair

A small frame from family sunday

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Emma Frignani Emma Frignani
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Emma Victorian Style

Doodling a victorian dress.

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Maria Patino Maria Patino
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Among us

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#laydoodle #laydoodle
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My dog are cuter than yours!

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Anika Kuntze Anika Kuntze
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butterfly

it’s basicly an ink drawing with acrylics underneath on canvas. This is a detail of the big picture. I photographed it and then layered it with its mirrored picture.

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Naomi Vona Naomi Vona
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David Byrne

Pens on vintage photo.

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Omana Katzarska Omana Katzarska
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Unrealistic reality

Joan Miró inspired artwork.

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Kyle Coughlin Kyle Coughlin
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Sketchbook (6) - Spread 9

Sketchbook (6) - Spread 9

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Noorah Kareem Noorah Kareem
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Twisted

I wanted to draw a twisted figure falling.

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Michael F Slayton Michael F Slayton
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Cup o Joe

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Embracing nightmares Embracing nightmares
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Eclesto escapes.......

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Embracing nightmares Embracing nightmares
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Angels....?

Colored an older piece today

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Joe Blend Joe Blend
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ON ROBOTS & THE LIFELONG MIMIC

© 2017 Joe Blend. All rights reserved. — Artwork made by redacting words in a newspaper article to create a haiku. A contour drawing was added using white ink, to convey the meaning behind the haiku. The piece was scanned into Adobe Photoshop for small adjustments, to prepare for printing.

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IDRO51 IDRO51
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fluidvision power

handstyle + color treatment

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Roxana Romero Roxana Romero
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Argonian

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Zoraida Zaro Zoraida Zaro
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RECORTEMATÓN 01

First in a series of portraits of friends in tiny format (2.1 x 3.1 inches) mixing coffee, watercolor, pencils and markers.

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Nancy Belle Nancy Belle
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Leaving Home

Mixed Media on Paper

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Joanna Pavlopoulou Joanna Pavlopoulou
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Sketchbook 2011-2012

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Joanna Pavlopoulou Joanna Pavlopoulou
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Sketchbook 2016-2017

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Val Myburgh Val Myburgh
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Fantasy3

mixed media in sketchbook

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Val Myburgh Val Myburgh
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Fantasy2

mixed media in sketchbook

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Luis E. Duenas Luis E. Duenas
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Untitled

Robot 2, Mix-media.

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the owl and the octopus the owl and the octopus
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Untitled

WIP, "4 Words About Me, By Me". Mixed Media in Sketchbook.Wo

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lara nelson lara nelson
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Untitled

"First Day of Summer" 24x32cm mixed media/200lb-425gm paper

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Collin Chan Collin Chan
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Untitled

People may see a religious woman some may see a woman in a scarf, in the end this piece to me symbolizes that differences can still be beautiful. Let me know in the comments below what you see? @collinchan on all social media

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Richard Young Richard Young
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Running water

This started out as a pen & ink doodle on a napkin at Wendy's. This turned into a mixed media work. It used pen & ink, some ink markers and some acrylic pens.

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Juice_Lime Juice_Lime
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Scribbles: Important Curvy Lines

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

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Slobodchikov Alexander Slobodchikov Alexander
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Dante Alighieris The Divine Comedy/ Canto XIII

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