A delicate, hand-drawn study of the Blue Liverflower (Hepatica), capturing the first signs of spring. This design features breezy blue petals, energetic linework, and a minimalist vase, blending a classic botanical feel with a modern, sketchy illustrative style. Perfect for those who love the quiet beauty of forest wildflowers and cottagecore-inspired art.
Finally indulging in the Knuckles mini-series over on Paramount Plus! I’m only two years late to that party, hahaha :-D
It’s influencing my creativity as you can see…
Well friends just got done creating my new logo to represent my ministry. The design incorporates symbols that represent both writing poetry, commentaries, short humorous stories. This is represented by the quill pen. My fine art, commercial art represented by the painter's palette, and illustrative tools.
The colors running to the center of the palette to from the cross, represent my Christian ministry. Going to FedExs to have business cards made. Planning to use this logo for my art fair booth
Stripped of skin, status, and story, what remains is the truth beneath it all. Bone Deep is a minimalist skeletal portrait rendered in graphite and ink on canvas, built through cross-hatching, stark contrast, and deliberate restraint. The exaggerated skull and hollow eyes confront the viewer directly — not with fear, but with inevitability.
#27 Plants vs Zombies fanart - This was an old piece I drew during a live stream on magma.com a few years ago. I got around to finishing it last night in ibisPaint and then made some color adjustments in Photoshop. I stink at coloring in my opinion and I usually don't color my line drawings because I get a little bit antsy staying in the lines. The following characters I drew are: The Tree is named Mourning Wood - which is a mini-boss from the game Terraria, the sunflower is from Conker's Bad Fur Day, The Piranha Plant is a recurring enemy in the Super Mario franchise, Peashooter and Puff-shroom are from Plants vs. Zombies, Ivysaur from Pokemon, Water Lily Siren from Shantae, the toon witch Samantha from the tv show Bewitched (intro), and Godzilla.
A whimsical depiction of an anthropomorphic frog making Freestyle motocross trick called "Seat Grab" in a classic penny farthing bicycle. The image is funny, humorous and minimalist, featuring a simple outline.
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
This is part of a beautiful moment that was created as I was painting on these mini watercolour sheets. During the journey, I painted around 5 paintings. This is the first painting I painted during my train journey. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted them this. More on the way ....
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.
A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.
A playful, mixed-media tribute to the aquarium life. This piece captures a slice of a fish's world, complete with a warning to "Keep Lid Closed", miniature castle, forgotten net, and a $75 price tag on a fish. It's a whimsical look at the serious business of pet fish ownership.
