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mixed

Nora Thompson Nora Thompson Plus Member
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Clover Head

Mechanical pencil drawing with digital texture and color added

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Nora Thompson Nora Thompson Plus Member
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Kraken Head

Mechanical pencil drawing with digital texture and color added

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Bleu Hope Bleu Hope Plus Member
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Tidally, July 2020.

An ode to the seas, sailing and other malarkey relating to that theme.

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Jeff Syrop Jeff Syrop Plus Member
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Kiwi

Kiwi's are very strange creatures.

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Bleu Hope Bleu Hope Plus Member
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As Valid As Dante Writing About His Inferno, April 2020.

A line in 'Renegade: The Lives And Tales Of Mark E. Smith', which I'm currently reading, got my creative juices flowing this time around!

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Jeff Syrop Jeff Syrop Plus Member
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Slug Monster

Slug Monster stays positive as it navigates hell.

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Nora Thompson Nora Thompson Plus Member
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Rick (Plague Doctor)

Charcoal on mixed media paper

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Bleu Hope Bleu Hope Plus Member
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“Nuclear Fallout”, January 2020.

Not as apocalyptic as it looks or sounds! Inspired by a dream I had about committing a social faux-pas of the worst kind you could imagine.

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Jim Bradshaw Jim Bradshaw Plus Member
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Brain Storm

85% chance of brain. I had a brain storm today.

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Jim Bradshaw Jim Bradshaw Plus Member
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Grungy Doodle
1/4

Grungy doodle of the day. I felt inspired to do something smudgy and decorative and colorful.

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Morgan Elle Morgan Elle Plus Member
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The Lonely Tarantula

One of twelve illustrations for a children's book.

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Jim Bradshaw Jim Bradshaw Plus Member
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The Toast of the Town
1/4

The Toast of the Town. Too bad the weather had to turn just when things were heating up.

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Tanya Shyika Tanya Shyika Plus Member
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Party Time!

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Jim Bradshaw Jim Bradshaw Plus Member
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Cowboys and Cubes
1/4

Man, I’ve been random lately. I think my mind’s eye sees stuff that normal people don’t. That might make me abnormal. I’m kinda comfortable with that. Guess who’s going to be watching some Clint Eastwood tonight?

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Tanya Shyika Tanya Shyika Plus Member
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Hiking

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Jim Bradshaw Jim Bradshaw Plus Member
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The brain of jimmy to-do list.

Morning doodle. It's hard to get anything else when doodling is near the top of the list. Not that I'm complaining. ;)

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Janelle Dimmett Janelle Dimmett
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Mechanical Horse

I drew this mechanical horse. I had this idea of making my favorite animal with gears and plates and all kinds of weird stuff. Eventually it grew into this large drawing. Mechanical Horse - Mixed Media (Ink and Procreate) - Janelle Dimmett 2026 - www.janelledimmett.com

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Jennifer Jennifer
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Bob the Blob!

An intuitive mix of fluid watercolor gradients and intricate fineliner patterns, wrapped up in a golden border. A little bit biological, a little bit whimsical.

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V E R S Ā T I L V E R S Ā T I L
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MJ Escosura

Amapolas

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Chariss Williams Chariss Williams
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Queen Honey

Ohuhu markers and Prismacolor colored pencils

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Slobodchikov Alexander Slobodchikov Alexander
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«The Pegas»

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Ty patmore Ty patmore
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Breaking Fast

Breaking Fast reflects a time when lingering was normal—an empty table, a cigarette’s glow, and the calm between what just ended and what comes next.

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Slobodchikov Alexander Slobodchikov Alexander
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«The flight»

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Ty patmore Ty patmore
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Custodia

This feather rests as a symbol of gentle guardianship. Light enough to drift, yet preserved with intention, it speaks to protection without restraint—something watched over, not controlled. It represents care that is quiet, constant, and strong precisely because it does not weigh anything down.

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Ty patmore Ty patmore
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Interim

A moment suspended between departure and arrival. Interim explores transition—where movement pauses, direction is uncertain, and meaning exists in the waiting. Rendered with restraint and negative space, the piece invites reflection on the quiet spaces between what was and what will be.

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Triangle Triangle
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Squirrel skull

My brother found me a squirrel skull so I tried painting it… I used acrylic, watercolor, and gouache

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Jennifer Jennifer
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psychedelic dream

A small sketchbook exercise using watercolor, Neocolor 2 and colored pencils.

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Triangle Triangle
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Books ♥

Comment if you know what book this is inspired by...

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Ty patmore Ty patmore
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Speak No Evil (The Slanderer)

This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice. * Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head. * Symbolism: * The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading. * The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.

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Ty patmore Ty patmore
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Nowhere Fast.

"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere. In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.

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