Model Portrait Color Art by Oz Galeano
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I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere.
It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again.
- Sculptor's Daughter by Tove Jansson
I crawled right up to Daddy's modelling mirror which stands on the floor by the box of plaster. A great big black creature was creeping towards me.
I got cautious and stood still. The creature was shapeless. It was one of those creatures that can spread itself out and creep under the furniture or turn into a black fog that gets thicker and thicker until it is quite sticky and gets all around you and fastens itself to you.
I let the creature get a little closer and put its hand out.
The hand crept along the floor and then was pulled back suddenly. The creature came even closer. Suddenly it got scared and ran quickly in an oblique direction and stopped still. Now I was scared.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Model Portrait Art by Oz Galeano
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Model Portrait Art by Oz Galeano
Instagram:
https://www.instagram.com/arte_ozgaleano/
Comissions:
https://ko-fi.com/c/775fa10e7d
Donations:
https://www.paypal.com/paypalme/ozgaleano
Youtube:
https://www.youtube.com/@OzGaleano?sub_confirmation=1
Patreon:
https://www.patreon.com/Ozgaleano
Shop:
https://www.inprnt.com/gallery/ozgaleano/
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https://www.tiktok.com/@oz_galeano
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“Revising the Future” captures the exact moment creation becomes correction. Using my own drawing hand as the model, I built this piece through a cycle of sketch, pause, observe, and refine — letting the act of drawing guide the artwork itself. The eraser actively lifts portions of the page, symbolizing the choices we adjust as we grow, the mistakes we confront, and the quiet courage it takes to reshape the path ahead.
Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character.
With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer.
Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.
Side Face Model Portrait Art by Oz Galeano
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Side Face Model Drawing Color Sketch by Oz Galeano
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Side Face Model Drawing Sketch Study by Oz Galeano
Instagram:
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Comissions:
https://www.fiverr.com/s/6WzyVL
Donations:
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Youtube:
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Patreon:
https://www.patreon.com/Ozgaleano
Shop:
https://www.inprnt.com/gallery/ozgaleano/
TIK TOK:
https://www.tiktok.com/@oz_galeano
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Model with Headphones Portrait Art by Oz Galeano
Instagram:
https://www.instagram.com/arte_ozgaleano/
Comissions:
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Donations:
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Youtube:
https://www.youtube.com/@OzGaleano?sub_confirmation=1
Patreon:
https://www.patreon.com/Ozgaleano
Shop:
https://www.inprnt.com/gallery/ozgaleano/
TIK TOK:
https://www.tiktok.com/@oz_galeano
Behance:
https://www.behance.net/ozgaleano
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