This is the other half of Return of the Polar Bear, a drawing in my moleskine. It is after Pieter Bruegel the Elder, an artist from the 16th century. I began it as a way to try out his intricate use of line and hatching. The subject matter altered some along the way - his etching didn't have any animals, and of course mine had to be all about the animals. I also simplified. It turned out to be a wonderful lesson.
Pen and ink in my moleskine. I posted the entire drawing a few weeks ago. I really enjoyed drawing this. I felt like I was drawing someone's lost thoughts.
Malik straining to keep the twisting pose. Decided to leave this one as a slightly rough red Bic pen sketch for now. There’s something to be said about the energy found in the work-up drawing.
This was done with fountain pen in my moleskine sketchbook. I wanted to try out a frame like they used to create for book illustrations. This is after an illustration by Virgil Solis from 1563. I have changed it to make it more contemporary.
This was done on the spot with a fountain pen in my moleskine. During this time of Covid, Australia is a bit of a haven for some travellers. We have always had loads of oversea tourists. I imagine the couple who lived in this van had decided to wait it out. I was fortunate in that they were repacking while I was drawing, so I had a bit of time.
In response to this week's drawing prompt: Instead of drawing my house, I drew the house from the movie Knives Out. The house acts almost as a character in the movie, setting the stage for one of the best murder/mystery films I've ever seen.
