Jane Austen (1775–1817)
Austen never lived alone and had little expectation of solitude in her daily life. Her final home, a cottage in the village of Chawton, England, was no exception: she lived there with her mother, her sister, a close friend, and three servants, and there was a steady stream of visitors, often unannounced.
...
Austen wrote in the family sitting room, “subject to all kinds of casual interruptions,” her nephew recalled. She was careful that her occupation should not be suspected by servants, or visitors, or any persons beyond her own family party. She wrote upon small sheets of paper which could easily be put away, or covered with a piece of blotting paper. There was, between the front door and the offices, a swing door which creaked when it was opened; but she objected to having this little inconvenience remedied, because it gave her notice when anyone was coming.
“Composition seems to me impossible with a head full of joints of mutton & doses of rhubarb.”
From Daily rituals by Mason Currey
#dailyrituals #inktober #janeAusten @masoncurrey
This is another way of working that I really like. Fine liners and chalk (colour) pencils were predominantly used, with a quick smothering of acrylics for her scarf and coarse posca pen marks for the jumper :). About the subject, Handmaid's Tale was one of those rare books that I read more than once growing up and it stayed with me, hence why I decided to draw Margaret Atwood (not seen the series yet though but I hear good things!). I accidentally had her hand cut out while penning the figure - still working on my scale and composition!
This is a concept sketch that i might use on a bigger piece, it has a bit more to the design that ive added on to the top of the sketch as i was playing around with different ideas and angles to look at things. i love playing around with different symbols and markings that are quite tribal and almost mystical giving a depiction of mother earth or something shamanic also playing around with the vines and branches in the hair was a cool concept.
I have three different pairs of hand-designed shoes on Etsy right now, and I’m working on pairs for my mother and grandmother. If you’re interested in these, hit the Etsy button at this link: https://linktr.ee/okhismakingart or if you want a custom pair done, message me and we can talk about details. P.S. They’ve all been waterproofed.
Mermay Day 19: Royal
all hail Ceto of house Humansbane, destroyer of poles, evader of hooks, piercer of nets, mother of all fish-kind, goddess that swims alongside us.
shes holding the scepter of Poseidon and the will of Triton.
they cover the fins of royals because only the gods should see their beauty.
some rumors say that the royal family just has a deformity thats passed on genetically so they cover it up and made the god thing up...who believes rumors though...dead merfolk thats who.
Fun,yet scary doodles of Timothy T. Cup. (My "Cuphead" fan character). And when he scares, he gives King Dice, The Devil, and Ms.Chalice (that's right) a run for their money...and lives.
I got three paintchip cards from a big paint company in the mail and decides to paint some moths over the holidays. This is the first one, done with acrylic paints, posca pens and karinmarkers.
https://www.deviantart.com/spongefox/art/Mom-s-B-Day-Card-2012-Girl-Tiger-343860385 - Purrah from 2012. Back when she was a nameless tiger for a mother's day card I made for my mom.
Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
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