“Beware the wild rushes”, my mother told me. “They grow on the bank side along the salt sea!”. But I, being young, I heeded her none. (Inktober inspired by the Decemberists!!)
I liked her so much I drew her again, but I learned some things about her. (Damn those hands, gotta work on them.) Concept art
Name: Carina
Age: ???
Race: Demon (Father is a demon, mother human)
Ethnicity: Her mother was a young Italian woman who was tricked into falling in love with a demon.
Status: Sorceress
Abilities: She wields a staff that consumes souls of the living. She uses those souls to feed her power.
Extra (for now): The globe on her staff is an ancient artifact in which she had to prove her will and strength to achieve it. The artifact draws out the souls of her victims. But before it does, it puts them in a trance like state to keep them immobilized.
Last spring we had nineteen canaries. I must tell you, once and for all, that canaries are very virulent birds.
It starts with the mother bird and the father bird.
They have babies. And before the babies get a single feather on their bodies they have to leave home and the father bird sings again and the mother bird lays new eggs. That's how things go with canaries.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Jane Austen (1775–1817)
Austen never lived alone and had little expectation of solitude in her daily life. Her final home, a cottage in the village of Chawton, England, was no exception: she lived there with her mother, her sister, a close friend, and three servants, and there was a steady stream of visitors, often unannounced.
...
Austen wrote in the family sitting room, “subject to all kinds of casual interruptions,” her nephew recalled. She was careful that her occupation should not be suspected by servants, or visitors, or any persons beyond her own family party. She wrote upon small sheets of paper which could easily be put away, or covered with a piece of blotting paper. There was, between the front door and the offices, a swing door which creaked when it was opened; but she objected to having this little inconvenience remedied, because it gave her notice when anyone was coming.
“Composition seems to me impossible with a head full of joints of mutton & doses of rhubarb.”
From Daily rituals by Mason Currey
#dailyrituals #inktober #janeAusten @masoncurrey
Elias Rosenshaw 12/1/2023 (Taken 11/30/2023)
Filtered photography bordered with layers of gouache with poster & dot matrix filters. Wall design created by my mother with paint marker on acrylic paint.
