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motion

Mohd Azzad Daut Mohd Azzad Daut
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Reclaiming The Crown

Not really a good piece this one but I felt like putting this out there to release some suppressed emotions.

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Tony Bothel Tony Bothel
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Anxiety and Desolation

Sometimes have difficulty expressing how I feel in word but I'm finding art to be a way in which I can open up a lot more. It's really hard to describe Anxiety, especially because a lot of times (at least with things like GAD) it's hard to know where it comes from. Anyone who has ever had an attack can relate. Also Spiritual Desolation can often accompany it which makes it confusing and people experience it differently. Nothing has ever made me feel more in union with Our Lord in the Agony of the Garden. There is also that sense of abbandonment on the cross, and for me the crown of thorns because of migranes which are connected with it. But there is hope, you can see the light in the heart... in the soul... Often times it feels like a dark cloud and no magic formula of words or advice will do the trick, we know the logic, we understand the solutions but in the moment one just has to experience the Cross. An artist shows beauty, soul, personality, emotion, life. This transcends language, boundaries, cultures and connects humanity. This unity is what brings us closer in solidariety, fraternity and love, and this is what again, leads to joy, joy even in the midst of sorrow. And so even if I express sorrow or anxiousness, let this help you know that you are not alone, have joy in your heart even if you don't feel like smiling. Never give up, I know it can seem lonely but know that people really do love you. Peace be with you

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Ryan Ryan
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Kyoto Animation Tribute

Emotionally speaking, this is definitely the hardest pieces I've made so far. On July 18th, 2019, an arson attack on Kyoto Animation's Studio 1 left 36 dead and 34 injured, one of the deadliest mass casualty incidents in Japan since the end of WWII. KyoAni has some of the best working conditions in the industry and have made some of the most iconic anime to date, including Clannad, A Silent Voice, and the show that got me started on anime, Violet Evergarden (as seen in this drawing). I sent this drawing to them through their website, and there's a good chance it was displayed along with thousands of other fan submissions in Kyoto this past November as part of a public memorial service. While this was a tragic blow to the company and community, they're healing and getting back to their feet, and I can't wait to see what they create next.

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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Hawwa Lahfa Hawwa Lahfa
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I have to feel what Im feeling to feel alive. - Timothy Goodman

Art piece done on a quote that I came across.

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Jenny A Jenny A
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Mermay 2018; Day 16; Turtles

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Ziggy Dribbler Ziggy Dribbler
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Bloodstained self-portrait.

Mirror self-portrait a few Minutes after a brutal streetfight... I was bleeding heavily from a skull fracture, broken nose, multiple cuts already... to add Insult to Injury, I was scarred with a "Glasgow-smile" after I got beaten to a pulp... I felt the urge to capture my emotions (and inevitable bodily fluids...) on paper after I carried myself home and looked in the mirror.

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Ari Ari
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City on Fire

I had just started painting again and all the years if holding back...holding it in, caught up with me. California was burning and the demons inside of me were smoldering too, waiting to get out.

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Julie Heide Julie Heide
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Kansas City Greatness

Iconic imagery from Kansas City togs at emotions and fills the soul!

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Tammy Comfort Tammy Comfort Plus Member
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Deeply
1/5

I have a certain energy that runs through me, almost like a current. Balancing this energy can be quite a challenge, but I have found that meditation helps me to find my center. I like to quiet the noise around me and focus on my inner truth. Sometimes, I begin my meditation with my eyes closed, allowing my emotions to guide me in sketching out my experiences. This helps me to open up my channels of creativity, which I am currently using to work on my upcoming novel. I can't reveal too much about it yet, but I hope you will enjoy the sneak peeks I'll be sharing as I work toward completion.

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Sohail Sohail
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Pink background..Black void.. longing love.

I'm in immense emotional inconsistency and I miss this person so much. -I remember painting this in the month of October... around sunset, at the terrace with cheap acrylics and 1 paint brush on a foamy material that comes with jeans or cloths.. I made this in appreciation of a person i love..

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Izabela Izabela
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Experimental phase

I've started an experimental phase of my art journey. It's a challenging time for me. I try to draw and paint using different techniques, brushes, and color palettes. I'm on the way to exploring my artistic voice. I hope it'll be a great time to share my thought and emotions about this. The 1st thought I can say is: I need to be an explorer as often as possible. It allows me to look inside myself. It allows me to get to know myself better. It's very motivating.

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Dita Anggraeni Dita Anggraeni
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Promotion for Jesse Lent show

I created a series of mini-flyer to promote Jesse Lent's show. The show venue becomes the inspiration and the series was produced with hand-drawing line-marker style with one punchy bold color.

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L L
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Important Faces

Red Pencil of outlined faces on scrap paper. Drawn on a plane trip home after a very emotional 'holiday'..

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Lebron James Lebron James
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Quick oc sketch

Working more on emotions coming through.

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Spearmint Chalk Spearmint Chalk
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Alexithymia - Monologue of the External

Alexithymic persons are often focused on external stimuli.

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Prabha Balakrishnan Prabha Balakrishnan Plus Member
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The Eye That Speaks

I never imagined I could capture so much emotion in an eye—especially on just my second attempt. This piece came to life through intuition more than technique. The values, the shadows, the highlights… they felt like they found their place on their own. Maybe emotion, light, and shadow have always spoken to me—I just finally listened.

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Nestoras Papadopoulos Nestoras Papadopoulos
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The End by Nestor

This poignant black and white pencil and ink drawing captures the essence of a dark, broken man with sand slipping through his fingers, symbolizing the passage of time and lost hopes. A hole in his chest reveals his heart, while beside him stands a similarly broken woman. In the foreground, withered flowers and a shattered hourglass accentuate the theme of decay and loss. The background features a forgotten playground, representing the loss of innocence, and a swirling vortex with lightning in the sky that engulfs the man's illusion of reality. This artwork speaks to the emotional turmoil and fragility of the human experience.

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Glitch Glitch
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False Serenity

This image kind of represents my life... seemingly peaceful, but in all actuality is a whirlwind of emotion and ideas that just end up being torture. This is more of a vent.

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William Bulmer William Bulmer
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Who has proclaimed himself God this time?

A promotional poster for the comic I haven't written yet.

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Ryan Ryan
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Dual Emotions

Copic markers on 150lb illustration paper.

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Viktor Wilde Viktor Wilde
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Life, Death

Realms of Vibrant Oddites at display through poetic tales of welcome wonder. What emotions be boiled in this cauldron? Thoughts of mindful darkness play this way.

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Raven Quill Raven Quill
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Emotional Bleeding

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Ty patmore Ty patmore
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Elevated patience

A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.

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Spearmint Chalk Spearmint Chalk
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Defensive Layers

A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed. First posturing: -A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual. Second posturing: -A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement. Third posturing: -The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing. (Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)

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Eddie Churchwell Eddie Churchwell
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Rolling Stones Vintage 1975

Tribute to vintage black market concert memorabilia. 24 x 18 acrylic on canvas.

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Abhilashagk Abhilashagk
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Liberation out of frustration

As an amateur artist, painting on a canvas and “ruining it” is a fear that grappled me ever since I could first paint. I didn’t believe in myself to accurately represent my emotions and over the years it has stopped me from painting at all. But today ,i break that, i have created a piece for me ,myself and I and on that note, this sixteen year old artist finally begins her journey on doodle addicts!

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Afreen Nasseer Afreen Nasseer
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PEEK-A-BOO !

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Robyn Jensen Robyn Jensen
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angry face

getting work in on emotions

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Robyn Jensen Robyn Jensen
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in motion

further practice in extreme angles, adding facial features

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