moving

I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere. It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again. - Sculptor's Daughter by Tove Jansson

It got cold very quickly and the fog was there, moving thickly around us, shutting us in on all sides. The smooth swell rolled out of the fog, crawled under the raft with a swallowing movement and rolled back into the fog the other side. .... Albert picked it up by the neck and looked at it, and it began to screech and flap one wing. Let it go! I shouted. Everything looked so terrifying with the fog and the black water and the bird creeping around and screaming that I was beside myself and said: give it to me, I'll hold it in my lap, we must make it well again. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

A predator reduced to bone but not to silence. The body is gone, yet the motion remains — jaw open, spine curved, still moving through water that no longer needs flesh to carry it. This is not a fossil resting in sand; it is a hunter that never learned how to stop. The ocean keeps its shape alive. Instinct outlasts life. Some creatures don’t die — they continue.

A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism. The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation. This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.

A Rhino energetically plays an electric guitar with flames blazing from the headstock. The rhinoceros stands on a moving car, evoking a sense of wild, rebellious energy.

Photograph of a moving road/

The lake was busy with light, the grasses busy with wind, but the boat sat quiet against the shore. There is a gift in this tension: to be held still while everything moves, to be carried without effort, to find rest in the very heart of motion.

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Photograph taken in a moving car.

Photograph of flower moving under a bee's weight.

Photograph of a bee moving up a flower.

I had to re-upload her the last one was so UN-proportional I couldn't stand it. But I know I need to work on hands and fingers. It's an alien that lives in a doll like body. It can manipulate the doll, moving fingers, arms and eyes. So nothing like cutting open your doll just to find an alien creature living inside. No, my aliens will not have any gender. Why don't we reproduce like worms, get split into two.

While working at the GCPD, they haven't really communicated. Or rather, they haven't communicated at all - Edward was courting Kristen Kringle, and if they crossed paths, it was limited to simple "hi-bye." But Amber was starting her "career" as an informant and tried to pay attention to her colleagues, especially if they stood out in some way. And Edward stood out. Not only with his brilliant mind, but also with his good manners, determination, and gentlemanly treatment of women. Therefore, Amber had him in good standing - which, in the context of her character, is a great compliment. But she did not seek friendship or any connection with him, being too busy with her ambitions. But they really got to know each other many years later, when he became the Riddler, and she became the Stalker. She, as always in all her versions, became obsessed with a new, interesting person, like a fan of a character, and wanted to become closer to them. This time, that person was him. She even felt strangely shy about going and confessing her interest to her former colleague. But nevertheless, everything was as usual - Amber, who rarely feels strong emotions, always tries not to miss the opportunity to satisfy her loneliness and sparked passion for someone with this strange agreement: she offers free information to her obsessions in exchange for their company and their personal information (like what subject they liked in school, how they prefer to court their love interest, nothing that could compromise them (She can find it on her own). She also does not enter into sexual relations with them, even if they are not against it). Having lived in the illusion of being showered with their attention, she eventually gets tired of them and silently moves on, ghosting them unless they do something that returns her interest (after all, having free info is worth "forgiving" her for moving on on them). This time, everything was the same. But the Riddler would not be the Riddler if he left her strange puzzle unsolved. Not that previous obsessions all let her go without questions, but they were not the Riddler. And everything became complicated...

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I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root. And yet… I am assigned to hallway duty. This is compulsory education, after all. So I sit—posted like a sentinel—watching young lives stream past. “Get to class,” I say with a smile and a nudge. The system wants attendance; I’m hungry for presence. Armed not with a whistle or clipboard, but with a pen— my scribble’s soft insurgency. The hallway stretches out like a geometric hymn. Columns and corners chant structure. Teenagers swirl past—half-formed galaxies of limbs and laughter— their orbits chaotic, their gravity pulling time forward. I begin to draw. Not their tardiness, but their motion. A shoulder. A blur of sneakers. A tilted head chasing freedom. Feet flickering like seconds. Each mark a pulse. Each smudge a breath. My paper becomes a seismograph of seeing— trembling gently through the mundane. This isn’t about making art for a frame or a feed. It’s about refusing to leak away in the fluorescent hum of obligation. It’s a quiet mutiny against the clock. I do this on long car rides, too (passenger side, mind you). Letting the lines grow wild, jagged, and unapologetic. Not for polish— but for presence. This is how I remember I’m still alive. Still growing. Still watching. Still choosing to see. Because sometimes mental health looks like a piece of scrap paper, a moving pen, and the simple, sacred act of marking time with wonder.

Dmitry Shostakovich (1906–1975) Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went. But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.” Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit. - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #shostakovich @masoncurrey

(Gel Fineliner on A5 Paper) A simple picture of a house walking on legs, but it turned out well enough :)

I got sick, it's hard to draw... there are no ideas, so only Too-tiсky (i still love moomins brbrbrbr) Honestly, the art is pretty weak for my bar.. I kind of like which way my painting is moving, but my recent works has been distinguished by attention to the background or inscriptions... A simple filll somehow already seems to me flawed in MY work.. At the same time, in other people's drawings i even love it... As we say in my country, everything brilliant is simple... I don't know why I'm messing around in vain... Well, let's put it down to the fact that I'm especially physically unwell today

When you just gotta run

This is the largest canvas thus far for me. In progress!! Multiple projects are in sway with this baby of mine. Feel free to check the link for updates on all the moving parts, including video and still shots with hidden treasures added in between (little surprise pop-ups of newness) along the way. https://photos.app.goo.gl/eNiH1mwVbFHaAyAZ9 Here's some music that inspires me, along with links to listen live or on replay. Phenomenal! - DJ OTB for your creative journey. I love getting lost in the music while I dig deep to paint or create my soul expression. Much gratitude to all those out there who inspire me every day. https://www.mixcloud.com/djtruebrit-otb/ https://www.mixcloud.com/djtruebrit-otb/a-journey-in-house-afro-melodic-progressive-chill-13072024/ https://www.mixcloud.com/djtruebrit-otb/a-journey-in-house-afro-melodic-progressive-vibes-13072024/

Hello! My name is Eternal Phoenix, I hope you enjoy my first full drawing of the year that I made a while back.I have much to learn, but that won’t stop me from moving forward in this path

#14 Inktober 2023 Prompt number 26 "Remove" - I drew this picture during the #inktober event for an individual's artspace on magma.com (the word prompt to draw was "remove" for day 26). I came up with the idea to draw an RPG warrior battling a giant mosquito during his adventure. He is using OFF brand mosquito repellent spray to remove the enemy from this path (but he took damage and later is removing a Band-Aid from his arm). Drawn directly on magma.com live using an iPad pro (no pressure sensitivity and no Ai).

My favourite Lappish activity - moving with these traditional skis through the snow. Sometimes you might be crashing into trees or into each other and sometimes you might loose a binding and sink into the deep snow, but it’s always fun and exciting.

Trying to make sharp shadows without having everything blend toghether. My goal is to convey the warm, pinkish sunlight on the first day of spring, and light is not something i have given enough care to earlier. Removing colors from a photography is an effective way to get an idea of how sharp shadows actually are!

Lino cut prints. Practice copies. I ended up removing the leaves and making them on a separate piece of lino.

I always start packing by packing my books. For larger ones I love using twine. Moving soon. So tiring! https://www.instagram.com/p/Cvpt_F0udl8/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA==

Acrylic painting that has the clouds that change depending on where the lighting comes from. Birds having fun on a Winter day.

Colorful drawing of a scene of Studio Ghibli's film "Howl's Moving Castle", Sophie and Howl's kissing Reference: screenshot of the movie scene Techniques: brush pens on regular paper