Learning to Leap is a shout out to anyone who needs a little courage to make that final leap. We've all been there, and we can all use a little whimsical inspiration in our lives.
I think It's none other than my heart that covers one's eyes.
To see, hear, think, and speak as the mind pleases. Mistakes can happen, and some people focus only on themselves and say things they shouldn't say to someone.
When someone doesn't live blind anymore and one day can see the real world with one's own eyes, will feel deceived and feel anger and futility etc.
I wanted to say that if look at the world with the eyes of heart, Can't see the reality.
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
riding while looking at your phone is a very bad idea and can land you a fine in Amsterdam but I've watched people type whole messages while riding around the city.
It's an old fanart drawing I did of "Feel Good Inc" by Gorillaz! The small black spots are holes from pinning it to my wall with tacks.
I can't believe I forgot to post this...it's realllly old.
This is a traditional art illustration produced with Copic markers and Prismacolor colored pencils, on a blanks sketch cover for an All Star Batman#01 It features Micheal Keaton and Michelle Pfeiffer from the Tim Burton films. See more at Sketchcardsandcovers.com
A captivating original painting by Ty Patmore depicting a dandelion seed head bowing under its own weight. The Seed Crown uses powerful shadow work to give this common sight a monumental presence, reminding the viewer of the beauty found in nature's final, quiet moments.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
