Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.
I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
I began to draw my first series "Questioner" based , which was inspired by various bizarre questions on Quote. It must be the questions that is forever innovating in the world.
Yes, indeed, this is a foot. A foot that has taken up 5 months of my life but here we are. For some context, I'm lucky to be able to take 2 art classes this year (senior year perks, I suppose) especially given the strict scheduling connected to the STEM program I'm in. I'm taking Studio Drawing, and this is my first Bargue drawing. Definitely different than what I'm used to doing (and not the most interesting to look at), definitely mildly infuriating at times, but it's done.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
A suit I designed for a fantasy SWAT (TSWATT, or the Taured Special Weapons And Tactics Team). They have wings which can fold into themselves, so far that they cannot be seen unless you look behind the back. They have special long fall boots (sort of like the ones from Portal) that allow them to fall from great heights. They have special glass goggles that act as sort of a VR set, in which they can see through smoke and walls if the area they are in is mapped out. The little orange thing on their chest records everything they witness. Drawn with FireAlpaca.
I finished it. I thought of this while listening to “Shadows of Mouldwood” from the “Ori and the Will of the Wisps” soundtrack. It’s a protector. Not the good kind. Don’t tell him about the kids that bully you, or the teacher that made you stay after school, or how your father beat you with his belt. When he asks you what you need, just tell him, very politely, you don’t need any help, and make sure you do it convincingly. Because he really wants to help.
The very first digital retelling of the pizzeria layout of "Zero Days Until the Party". I'm really considering making my own fangame of FNaF. I just think it'd be really cool to get Dawko to play a game that I made. I'm not sure if this counts as a drawing, but... I didn't really have anything else to post. Drawn with Piskel. There will be 9 animatronics.
I did this for a Skillshare class. It’s about how giants feel overwhelming but that there is victory in Jesus. I wanted the problem to look impossible and big but show that she knows that God will be enough for her to overcome. It encourages me sometimes to make stuff like this.
Okay, so, even though I was certainly not born in the times of Showbiz Pizza Place, I am still in love with it. My favorites are Billy Bob, Looney Bird, Rolfe Dewolfe, and Uncle Klunk (but saying that I have favorites makes it look like I don't love them all...). I really wish that Showbiz was able to stay around, just for one birthday... maybe my sweet 16, or something. I dunno. Drawn with FireAlpaca.
Flamestar from elijah_the_cartoonist on instagram
Finally done. Omg I forgot how difficult flames are! Well making them look like flames is difficult. It's not the comic style that I desire but it's a start because I compared it to professionals
The plight of the maker is tears from a dropped stitch, the unrelenting mental gauntlet that is bobbin knots, the pain of fingertips burned smooth from the lava-like ooze that hold our creations together. Makers! Know this. You are not alone.
