Not a beautiful work of art I know. I hope I paint better. But 70 hours of my life made from materials and techniques utilized by those who crossed our nation in covered wagons. I made this for the Episcopal Church in Prestonsberg. The bishop is retiring and 36 Churches in Eastern Kentucky are all making quilt squares for a quilt for him. The material is doubled so it insulates well.
When your creative pals are clearing out Pokemon plushies and know your own collecting habit all too well, hehehe! Needless to say the Glaceon I’ve adopted will be well looked after :-)
One of my biggest supporters and best friend passed away recently. My Grammy. My Grandpa has been gone almost 10 years now. So, in real life, whenever a blue butterfly showed up it was Grandpa coming to check on Grammy. Now, she's a butterfly going to be with him.
Two wicker chairs in the sun.
One for the waiting,
one for the hoped-for.
The table between them
holds its silence,
its place set for bread or talk.
I draw what is here—
lines quick and unerasable—
and what is not here,
her presence,
waits with me in the white of the page.
Imperfect Lines, Honest Presence
This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete.
But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains.
When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing.
So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal?
Perhaps presence itself is the real art.
This is an acrylic painting that I made for someone I was close to. We would often take turns of one of us being overly affectionate and the other being playfully annoyed. I tried to capture this dynamic in the painting of these two owls. This painting was an experiment in portraying animals, something I don't do often, and using my paint knife as a tool in my paintings.
