This quick sketch of an impressionist painting is a reminder to me of how we cannot see anything until we are taught to see it. I was enjoying the painting because of the way Tarbell captured light, when a man and his wife joined me. The man said to his wife: "This is a wonderful painting, but I wonder whose lap the baby is on.". I was shocked because I was not able to see the baby till he mentioned that there was one. I noticed that it was indeed difficult to tell whose lap it was on. It was a transformative and humbling experience.
Cont. to work on BnW illustrations, I wanted to focus on making the reflections have a realistic quality. I struggle with clouds, but I felt I was most refined here. My BnW's seem to have so much more life and expression than my paintings. I'd love to hear your thoughts.
The monochromatic weekly challenge inspired me to do an eye study. I've been having a bit of a composition block and thinking about starting to sell at art fairs, so my thoughts are preoccupied. I wanted to keep practicing tho. Lemme know what you think. I used pencils, smudges, and liquify in Rebelle 6. This is not AI nor is any part of this AI.
Yet another senseless lynching that has me here with a broken heart. Like my other paintings on this subject, I wanted to focus on life. Tyre was dynamic and energetic, so I wanted to paint him soring. I also wanted to paint him defiant in the face of his oppressors. He was a skater, and they are no strangers to defiance. Thankfully, I found some excellent references to help me with the composition. Aesthetically, I wanted the comp to be modern, colorful, and hopefully impactful. I went for a pop art, illustration, and false-color vibe and minimized blending and refining layer edges. I painted this in Rebelle 6 and Photoshop. Much respect.
Felt inspired by this week's drawing prompt. Went with a Star Trek scene. Earth Spacedock from the movies always leaves me in awe. Tried to show it with its doors opening so you could see there is an inside. The starship's scale and perspective are off, but that is meh.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
Finally got round to watching Hunt For The Wilderpeople, after eons of procrastinating over doing so, and was well chuffed at how great it was! Gave me some much needed inspiration for some art as well, always a bonus.
Can see what the Deadpool 2 guys saw in Julian Dennison that’s for sure, and of course Sam Neill was brilliant as well. Can’t be forgetting Taika Waititi either for directing it! Excellent job from all in my opinion :)
Driven by my mishearing of something Dr. David Scheel was talking about regarding the octopus Heidi he kept in his home for a yearlong period...
His documentary ‘Octopus: Making Contact’ is a lovely thing worth watching I should add!
To be perfectly honest, the latest lockdown announcement here in Scotland was bound to influence my art in some form or another...
Needless to say this is going to be one looooong winter, one that’ll have me blasting “Here Comes The Sun” by The Beatles once it ends, or at the very least stabilises.
I started a new youtube series called Paint With Frenemy. Channeling Bob Ross in short painting videos. Check it out if you like and please like an subscribe! I'lll be posting new videos every Sunday 9am eastern time. This week video I paint a happy little taco with some stop motion animation mixed into the painting process. Link here https://www.youtube.com/watch?v=7Hfj3xBju_c
