I painted this with Oil on a non tumbled Rock I found from my local Mountains. An evening Autumn Scene and a slight yellow moon peeking out over the horizon.
"Foxed Fruits" is a 36cm x 10cm x 19.5cm x 7.5cm oil painting on custom cut plyboard with acrylic Venetian gold embellishments. This piece is available for sale.
Sunset Clouds study. Watercolour. March 20, 2020. I found this extremely difficult. I've only ever painted clouds in Oil paint and it was much easier. I'm still working on painting lighter and quicker, but I found it a challenge to mitigate. I'll paint this again once my skills have advanced more.
A silhouette of a tree in the moon light .It may looks simple but inctricated with repeated strikes for leaves . back ground done with oilpastels crayons.
40" x 30" crayons, acrylic paint, ink, oil graphite, food coloring, make-up, enamel, colored pencils, white out on cardboard. My rendering of a Salvador Dali piece.
My first botanical illustration. Romulea rosea is a small member of the iris family indigenous to the fynbos biome here in South Africa. Oil paint on canvas. A4 size.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
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