A 4x6" colour sketch of Amroth Beach, Pembrokeshire in preparation for a much larger piece. The light that day was gorgeous, but the level of detail in the distance really could do with a larger canvas to make the most of it.
Trying to meld the moody tones of pulp noir with the playful romanticism of 1950s lifestyle illustration. Inspired by the fairground scene from the 1942 Veronica Lake classic, This Gun for Hire.
I tried out some oil marker art and ‘neonified’ a portrait as a gift for my brother. It was a really fun new project, and definitely adding Posca markers to my art bag soon!
Merry Christmas and Happy Holiday’s, everyone!
Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.
The time has come,' the Walrus said,
To talk of many things:
Of shoes — and ships — and sealing-wax —
Of cabbages — and kings —
And why the sea is boiling hot —
And whether pigs have wings.’
From Lewis Carroll's "The Walrus and the Carpenter"
Things people like, cats and flower. Here combined in a gold foil exclusive birthday card. I am trying out different styles for cards with matching patterns. The hope is to sell it and become full time card, placement and surface designer. I just craw all the time and forget about selling. Now I need to get into business and act some more. Do you think it has a chance, and do you even have an idea of where to sell it?
A big fan of the Star Trek universe and was especially impressed with the final run of Picard. This is the new Enterprise in action, heavily damaged but winning a battle against a Klingon Bird of Prey. I wanted a unique angle and decided to flip the starship upside down. It's space; why not. Digitally painted in Rebelle 6 with watercolors, pen, and oil brushes, and meant to have a classic/watercolor feel. This is not AI nor is any part of this AI.
A colour study for a larger piece. Unfortunately with the larger piece, I screwed up with the thick over thin rule and consequently, the paint cracked after a few months. Frustrated at having to start it again, but lesson learnt.
One of my early oils from 2017. I was still getting used to the medium. I liked how the oils worked well for the misty distant hills, and I used glazing for the first time on the clouds.
