I was going through some old sketch books that marked 2024. I had completely forgotten about this guy. I did change his look a little. I added hair to him and took his horns off. But I had created him to be my demon or devil. I thought he had died, no he was just waiting.
Behind the Russian Church there is an abyss.
The moss and the rubbish are slippery and jagged old tins glitter at the bottom. For hundreds of years they have piled up higher and higher against a long dark-red house without windows. The red house crawls round the rock and it is very significant that it has no windows. Behind the house is the harbour, a silent harbour with no boats in it. The little wooden door in the rock below the church is always locked.
Hold your breath when you run past it, I told Poyu. Otherwise Putrefaction will come out and catch you. Poyu always has a cold. He can play the piano and holds his hands in front of him as if he were afraid of being attacked or was apologizing to someone. I always scare him and he follows me because he wants to be scared.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
A detailed, hand-drawn illustration of a frothy beer mug featuring the play-on-words "Auto Therapy." Perfect for craft beer enthusiasts, home brewers, and anyone who finds peace in a cold pint.
I made my golden calf in the arbour because it was a pagan place and a circle is always a good setting for sculpture.
It was very difficult to get the legs to stay upright but in the end they did and I nailed them to the socle just to make sure. Sometimes I stood still, listening for the first rumble of the wrath of God. But so far he had said nothing. His great eye just looked right down into the arbour through the hole between the tops of the spruce trees. At last I had got him to show some interest.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
A whimsical depiction of an anthropomorphic frog making Freestyle motocross trick called "Seat Grab" in a classic penny farthing bicycle. The image is funny, humorous and minimalist, featuring a simple outline.
A few years ago I think I drew this using a photo of a dog for reference. Then I posted it in a robot community on Reddit and some random 3D printed it!
King Olaf the Forgetful did eventually find his golden helm, in a gully behind his castle. It was just a shame the Crusade of the Lost Helm had led to every neighbouring land being ransacked first.
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The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
I have been up and down this week with my art. One day I love it and in a few days I start to hate it. Its a roller coaster I'm sick of. But inside myself I hold many universes that I try to explore with my characters. One might hold vampires, while the other might hold mermaids. While others are looking for peace, lost treasures or finding their way home.
The picture depicts a eye. The core theme surrounding the artwork is that there is more than what meets the eye. At first glance people don't realise the stories that people hold, but if they try it can be seen. Another reason, why I chose a eye because of the phrase 'the eye is a window to the soul', as I feel it can show what can really be said about the person.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
A woman holds a megaphone directly to her face and out of the megaphone burst an explosion of flowers to comunícate the message "be your biggest fan" in a playful, self love, confidence boost, way.
Hey boos! This is just a little drawing of me at like, 7 maybe, and my old imaginary friend I named Mr. Friend. He was a very nice imaginary friend. :DDDD
