This is an exterior white paint on an old tarp with a treated lumber frame painting using a photograph taken of my Dad in the Summer of 1979. Dad and I were on the porch playing our guitars while a girl I was dating snapped some photos. I get a sense of Dad's calmness whenever I look at the photo, and now, this painting.
I used brush pen and watercolors. The most challenging part was holding back on excessive pen lines to render the fur, using patches of paint instead. Although I think the background is a bit dark and there a few mistakes, I feel that learned from this.
This is a 3D pumpkin I carved at The Phoenixville Pa. Pumpkin Festival,for the experts carver's completion. This was my first time using the clay sculpting tool to carve with. I used the wood carving tool method for about eight years. The use of the clay tool give the carver more control to be able to do more detail . the wood carving method is chiseling away the pumpkin flesh where the clay sculpting tools method you scrape way the flesh.
This the second pumpkin carving contest I have participated in in less then 5 day apart.
Now that I have found a method and tools that work far better than my old ones, less see if my pumpkin carving skills can catch up to my artistic skills.
Written by Stephen J. Vattimo
Oct 24,2015
It turns out that Goldie, the porcine pal of Walter Ego the Artist, is actually a very funny porker, literally a stand-up comedipig! He regularly regales Walter and his recently discovered twin brother, Count R. Ego with swine humor!
I painted this illustration to publicly proclaim the biblical account of a six (literal) days creation by the Holy Trinity to be the true account of the origin of all things that have been, are now, and will exist. I believe the evolution theories have many holes in them and lack sound evidence to declare evolution as the true account of the origin of all matter. I believe schools should teach both theories, and let the student decide which is truth for themselves.
The three figures of light that are holding the hourglass represent the Trinity—the Father, the Son, the Holy Spirit—Who together created all things. The background of the painting is supposed to illustrate that the Trinity created all things from nothing. The hourglass is supposed to appear to be made of pure gold, representing a creation without corruption and decay, which would later be part of the curse the creation would be subjected to because of man’s sin.
The top and bottom bases of the hourglass have the icon of the moon and sun six times to represent the six days of creation.
The six spheres floating inside the hourglass represent the six (literal) days and what was created on each day. The first day, God separated the darkness from the light. This sphere is placed at the bottom of the hourglass because sand in an hourglass always flows down.
The second day, God separated the sky from the sea. This is represented in the sphere located at the bottom right of the hourglass.
The third day, God separated the land from the waters, represented in the top half of the sphere. The bottom part represents the plant life that was created on the same day.
The fourth day, God created outer space: every star and planet. God mentions the sun was created to light the earth by day and the moon to light the earth by night. This is represented in the sphere located at the top middle of the hourglass.
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The fifth day, God created the creatures of the air and the creatures of the water. This is represented in the sphere located in the top right of the hourglass.
The sixth day, God created both the land creatures and man. This sphere is located in the top left of the hourglass.
(October 28, 2017)
Taking some inspiration from some things me and my girlfriend talked about regarding old highs in one’s past and asking yourself if revisiting them later on in life is worth it… the usual stuff I guess.
A vibrant pink flamingo bird is depicted soaring across a blue textured sky with a big water container in his back, its pink and blue hues create a striking contrast. The bold strokes and dynamic movement add a playful energy to the scene that reminds us to always stay hydrated.
A young man with a white shirt, holding bright red rose branches in his hand as if giving a rose to someone, in his hand shows red lights depicting sadness and fatigue....
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And this is my only contribution to mermay.
It doesn't look very good, I know. But I'm glad to draw a mermaid for the first time on mermay, I dreamed about it when I could only draw squiggles. I drew it for half a month, and during this time, I even managed to come up with a deep (don't shoot) lore.
According to my idea, Eddie needed some sunken cargo (and not only him). Amber offered her help in exchange for some relic of her people, which is stored in the Gotham Museum (even being a mermaid, she is an opportunist). Eddie told her to go to hell and tried to get the cargo with the help of his robots, which Amber successfully sabotaged underwater to pressure him into the deal.
In this drawing, Eddie's ran out of luck and got himself roughened up and almost drowned (definitely not Batman this time). Amber saved his skin. No gratitude is expected yet, but this is the least of their problems. Jean advises Amber (they are not at odds in this AU) to leave the polluted waters near Gotham before something happens to her and her health, but she is stupidly stubborn when it comes to the Riddler (and her goals).
The last few days, I've been going through my drawing journals dating back to 1977, mainly to purge them, but also to reminiscence. I laughed at this comic- one of many that I had forgotten about- of a conversation with an artist friend I've known since 1984, when I went to visit in her pottery shop.
I have been up and down this week with my art. One day I love it and in a few days I start to hate it. Its a roller coaster I'm sick of. But inside myself I hold many universes that I try to explore with my characters. One might hold vampires, while the other might hold mermaids. While others are looking for peace, lost treasures or finding their way home.
My apologies for older works, just going through old notebooks and wanted to share this
For all of you just getting started out there, or struggling with motivation, this is a side by side comparison of drawings about 18 months apart, 1 drawing a day. It may not feel like it, but every bit of practice you get a little bit better. Keep it up!
A series of drawings I did digitally developing Florien ir'Litvin as a character as well as a little scene featuring him and Enna ir'Olar --- The whistling of the blizzard outside dropped into a lull as a gleaming gold chalice was passed between the Seekers. Candles winked out one at a time, dropping the temple into a pervasive gloom. Enna and Florien drank deeply, crimson lingering on their lips. Senses overwhelmed with magic, they leaned against each other. They could feel each other's heart thrumming unsteadily in their chest as they were gifted with a clarity that only their blood could bring. Together they knew they could face anything the year would bring.
Father's (https://www.doodleaddicts.com/uploads/68546/cosmic-horror/) crooked hand, with six fingers (one looks like a fang) of different weird lengths (because He doesn't understand human anatomy well), holding a Gotham snow globe. And of course, the eyes. He loves eyes.
