Another little fox drawing. I loved the reference picture and wanted draw a smiling fox. Even was the first time I tried to draw the nice fure... red, orange, yellow, brown, mahogany makes the wonderful red fure which I do love.
Finally started back on a regular sketch schedule. Once a week on Thursdays, and I really look forward to it. I tried to tone down the orange marker with brown ink, but no luck. It really was a bright and sunny fence, though.
Once, my parents and I visited the zoo, I came here very often because my parents let me go out every weekend, as well as to let them relieve the stress at work. Every time I come, I visit the king of the forest. Its body is also very large, it is short, not as tall as zebras or antelopes, but on the movie channel we see that it can catch those horses. Why so? It is because they are so fast even though they are short that it does not become the tiger's limitation. Its whole body is covered with a beautiful plumage of black and orange, which looks very beautiful. The color scheme on that body is also very delicate. In places like: the neck, inside the legs… there are beautiful white hairs that look like cotton cream that I'm holding.Its fangs are very sharp like large, sharp needles. Every time people feed it, those sharp teeth come out looking really scary. It used those jaws to tear raw meat into pieces. The tiger's paws have very sharp claws, the very paws that help it grab food. I like it because it is a powerful and powerful animal. It is that curiosity that helps me get closer to it and see it in every position. And the weekend comes to see how it grows bigger and stronger.
Filled in this sketchbook page with heavy black ink and dark blue marker strokes to make the orange and yellow glow pop. Drawn with technical pen and alcohol markers.
Henry and Lucy caught these fish while fishing with Grandpa. The remarkable natural color—blue-green, gold, orange, violet, and pink—made the catch especially striking. A great subject for a watercolor study of color, texture, transparency, and reflected light.
Filled a page with carved faces using technical pen and a mix of orange and red alcohol markers. Pushing line weight and dark backgrounds to make the carved cutouts pop.
Here on the big island we experienced unprecedented volcanic activity in 2018 from Kilauea and made global news. I went to work on a lava triptych inspired by the event.
I like imagining static objects having human feelings and expressions. This little plumb one is telling me its emotion of the moment, perhaps contemplative sadness? Waiting for its time to shine?
