out

The Outfield - Your Love

Original painting, acrylic on canvas, part of a series of naive paintings, each now with some text on Youtube: https://www.youtube.com/channel/UCGF4ezQTQ15R9DziAz08efw

The leaves have grown so much you could barely see the house, as if it's hiding, as if it's not even there. I could only see bits and pieces of it out my kitchen window.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

A digital drawing that came out much nicer than I imagined.

Design for Building on Campus at Thompson Airline, at Thompsonville, Utah(south of St George Utah.

Remake : Francis Bacon – autoportrait Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

personally love how much is happening in here. thinking of making actual thing out of it. what do you think?

Artists from the planet Earth believe that inspiration is an inner energy that gives them ideas, mental power which strengthens the will to create a new work. We Assheads from the World of Fantasy, we know that inspiration is a living being that manages the actions of artists, states them to actions that normal man would not do. We consider the coming of inspiration - to a reasonable extent - good for creativity, but if the inspiration gets us in a firm hug and does not give up, it can have a devastating impact on the individual. In such instances, inspiration shows their other, insidious nature, about which little is spoken. Inspiration will, for example, propel artist - as the devil sinning soul - to constantly create, to eat is not thought, to be many nights sleepless, his sexual life can suffer, etc. Striking inspiration, such as a comet in the head, can, in some cases, result in a straitjacket, even death. We Assheads know that it is not wise to give advice to the artist struck by inspiration, warn him that there are still other joy and values in life. His inspiration closed his ears, he works with him as with a toy, so the artist could retaliate with aggression, considering that his personal freedom was compromised. For these and other reasons, we Assheads, marginal artists from the World of Fantasy, do not give special importance to artistic inspiration. - It's important to paint something, dance some dance, make some melody - says asshead Caci - - no matter what you create, there will always be someone stupid enough to see art in it.

Watercolour

It's always fun to come to the Art gallery of the assheads, marginal artists of the World of Fantasy. Today I have seen the picture you are looking at, it made me interesting, as more people worked on it, not considering the picture as a whole, nor the work of its predecessors. Then, out of a large cardboard box, an old man came out and came to me. There were two big holes in the box, so I realized that the guy was looking at me from the box for a while. - Do you like the picture? - he asked. His eyes, red from lack of sleep, staring at me. On the old clothes he wore on himself, there was a stain of color. - I was impressed with - I said cautiously, knowing the unpredictable nature of people who deal with art - Did you do it? His face was stretched into a smile, a few teeth that he had left, flashes from the mouth cavity. - Yes - proudly erect his chicken breast an old man - Inspiration wore me all the time! He looked at me with a look that required my other questions about the image, need to tell any story, to anyone, about his work, was in it taut like a catapult. - What inspired you? - I ask the old man, and he barely welcomed the question and said: - Last week I was visiting my friend Jergon, the King of the Dwarves. (His statement that the mighty King of the Dwarves his friend was so incredible, that it must have been true. Assheads usually have unusual life stories.) "It is well known to you that the dwarves appreciate their privacy, keep their place of residence confidential and may be ruthless if you disturb them. As a friend of Jergon, "the old man says," I have surely passed the territory of the dwarves. As I approached his home, I noticed more and more than the vicinity of his underground apartment - in the old roots - was edited by the gardening techniques of the dwarves. Dwarves worship their king and their nature makes them do something for him every day. For example, to clean the weed and planted rare plants and flowers around his house. Some day they polished the old root under which the King lives. So the environment of his house went out completely artificial, unnatural. The king is angry because he now has no privacy, his home has become like a public park, sweet hide, dear dwarves, was taken away from him. He told me. "Dear friend, if you think it's nice to be a king, you are not right. Everything has its own price." This visit inspired me to paint this work. - I nodding my head as if to understand how much potential was in that situation, so inspiration was a natural consequence. - Art freedom is expressed here - I said to the old man - maybe with the King of the Dwarves, on it, the picture was even more effective. The old asshead looked at me strictly and asked: - Did you see the King of the Dwarves? "I did not even see an ordinary dwarf," I admitted. The old man looked at me for a moment or two with a disappointed look, then he turned and entered the box. I felt a look from the box on my back as I left the gallery.

Will it ever go away? pt. 3 of Don't Lose Yourself"

Had fun trying to capture this. Someday I'll figure out how to get the watercolor gradient I want. Meanwhile this was a fun way to practice and I freaking love these Daniel Smith watercolors. I definitely need to get some full tubes of certain colors. (Moonflower, Lunar Violet, Opera Pink, Cerulean Blue, all the Cobalts, i think all the Primateks - I haven't tried them all yet... *Sigh*)

To me she symbolizes change, about going through phases, and also letting go of what no longer serves us.

This is my character Myscria - level 10 druid, tiefling and looking older than she should because...well, I haven't quite mastered drawing specific age ranges yet. She's only about 22/23.

This was for Valentine's Day. This is my oc couple I guess, I used MedibangPaintPro and edited with an app called enlight, this will be posted on flickr on Valentine's Day so be sure to check that out. :) https://www.flickr.com/photos/b_i_n_k/albums -Caaji Digital Art

Trying to learn a little about the Procreate App on the iPad

Outsider art

Outsider art

Outsider art

Outsider art

Outsider art

Outsider art

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

Hey fam! Check out my kimi no nawa speedart on YouTube. Pls put your requests in comments. https://youtu.be/xTNRt_Wxi4U

Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character. With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer. Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.

In real life I was thinking about my comic for this week and the creative process in general when I sneezed violently and got this idea haha

Got started on the classic show again and got the urge to draw out the greatest evil that ever crossed our screens. Though with the twist of showing the Great Evil in a more desolate, ruined presentation. What do you guys think?

Meditating creature in soace