Recently acquired a new inking brush and I'm totally in love with it~~ uwu
Testing out a chibi line art of Squall from FF8, since the remaster came out not too long ago.
"he has talent, true, but you have charm and personality. No question about it. Come on, let's see you turn a little of it on. I'd like to see the woman who could resist that." - Gomez Addams s01e06 1964 The Addams Family
cardboard 100x70 cm.
There are reasons I don't want to explain to you, and for which I will tell you this story. Suffice it to say that the kind of information that will read you is not for everyone's ears, I believe you will not use it for bad purposes. In case of misuse, you will be badly beaten.
I belong to the genus Woody Puppets, quite numerous in the Magic Valley. I was born in Puppetcity, from my father a traditional medicine doctor (herbal and energy treatment) and my mother Major Readers of phenomena. I spent my childhood normal, shaping my body into the shape I wanted, like all dolls. Wandering aimlessly and observing the relation of thought - matter, it was my favorite pastime as a little doll. On one occasion I was helping my father collect herbs on the clearings around Puppetcity. My father (who didn't talk much) suddenly started talking about topics he didn't want to answer before and I remembered his words forever:
"My little one, there are inexhaustible energies that just need to be used, and a small number of beings are used with them for the simple reason that they do not believe in their existence or they give up too soon on the apprenticeship of invisible forces. Try to keep your body healthy and in good shape, moving regularly, because only a healthy body has a strong spirit. We are currently in a phase where our spirit is attached to the body and the body depends a lot on how much the spirit of growth. The rule is also true that the spirit influences the body in which it resides much, much more powerfully than many beings are aware of this fact. I will teach you how to strengthen and purify your body and spirit in an easy way with the power of Thoughts and exercises available to those who believe. Before using this knowledge, you will have to go through a period of Observation, similar to that of a blacksmith for one year only observing the hot iron and spreading the fire to the desired temperature. The master then gives it to him tongs and hammer in the hands. Previously, the apprentice would not have used the tool, find out a lot more about Grandma Jankica at lutakzvonko.blogspot.com
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
100x70cm. cardboard, mix materials
The people in the button do not see anything attractive, the attention given to him is current and lasts until the buttoned some clothing item which wants to wear. With us in the World of Fantasy, fortunately, this is not the case, we give the buttons a deserved attention which they fully deserve. A man lacking a button, for example, on the shirt, we inhabitants of the World of Fantasy are avoided, because we believe it brings bad luck, such people can cast a spell on anyone. It is even more dangerous to meet a man without a button on the slit, or, God forbid, unbuttoned slit. It is certainly a dangerous man of wild impulses ready for violence against anyone in order to satisfy their needs. On the other hand, people who have a nice and tastefully selected button on their clothes are highly appreciated. Those more experienced among us will carefully look at each button on a person - the buttons should not be damaged and scratched.
Of course, in the World of Fantasy, there are the Button - beings, the creatures that everyone wants in their vicinity. Those dear creatures are attracted to himself materials and crystals, who are constantly working on the relaxation of a person close to them. Even watching the picture where they are
Button - beings (confirmed by scientific and empirical research!) relaxing the spirit and body, raising the level of health to the stairs more. It is for you, dear reader, to take advantage of this fact, here is your free relaxation! Those who doubt these words of Old Bone make a mistake - to yourself to the detriment!
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
This was a transitional piece as I enlarged/zoomed out the 'mass' of the doodle towards the edge of the paper. This was one of the last pieces of abstracts before my figures surfaced from the compositions.
Sorry, a gloomy one. Have you thought of how the last breath could be depicted? I was not planning on anything. This was my subconscious speaking out of a scene in my life. I found this image hidden in my doodle lines.
A study / re-imagining of John William Waterhouse's Mermaid. I really overworked the paper on this one, and I wish I had chosen a lighter color to line her, but I love how she came out!
7'x7' copper plate decorated by myself using acrylic paint and coated with paint protection gloss.
Safe to use as an ashtray, rolling tray, or decorative plate.
This is my take on the starry night painting. I bought the little tray and decides to recycle it. After painting and glossing I personally tested this product out to be sure of the the safety in the product. It can be cleaned with a damp cloth.
This is not safe for putting food on, but it's great for kitchen decoration.
For custom products message me or contact me on instagram @quin.de.artist
for sale @ https://www.etsy.com/shop/QuinsHarlemDesigns
Warm and cool winds mixing and blowing over sand ridges. A memory from living on the edge of a desert in Western Australia. Sometimes, walking the early morning the air is still cool in the shade of the trees, but the moment you step out into the sun, it is already hot.
When I first heard about the trading bot it sounded like a dream come true. A fully automated system that could trade cryptocurrencies around the clock earning profits without me having to lift a finger. So without hesitation I subscribed by sending 2 BTC as payment, confident that I was making a smart investment.But that confidence quickly turned into shock. Instead of seeing my balance grow I noticed it shrinking fast. The bot wasn’t trading at all. It was quietly draining my wallet and sending my coins to unknown addresses. Panic set in as I realized I had been scammed.Frantically I tried to reach support but there was no answer. I felt completely helpless. That was when I discovered Salvage Asset Recovery, a company that specialized in recovering stolen cryptocurrency. Desperate for help I contacted them and handed over every detail I had. Salvage Asset Recovery’s team immediately got to work. They examined the bot’s code and found it filled with malicious instructions designed to steal funds instead of trading. Using blockchain forensic tools they traced the stolen BTC through a web of wallets and mixing services which are the tricks hackers use to hide their tracks.The investigation wasn’t easy. The hacker had tried to make the trail disappear but the experts persisted. Slowly they followed the flow through countless transactions until they identified the hacker’s main wallets.With the help of exchanges and legal channels Salvage Asset Recovery managed to freeze those accounts. Weeks later the stolen coins were returned to my wallet.The whole ordeal was a harsh lesson about the risks of trusting unverified crypto services. But thanks to Salvage Asset Recovery’s expertise and determination I recovered my 2 BTC. Now I approach crypto investments with much more caution and always make sure to have trusted allies in my corner. you can visit them via below
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For a long period had viewed cryptocurrency as both a horizon of possibility and a landscape fraught with peril. My investment in XRP was meant to be a deliberate and disciplined step toward financial independence grounded in careful research and measured reasoning. Yet despite vigilance I became entangled in one of the most calculated frauds I have ever encountered.The ordeal began with an unsolicited approach from a man who styled himself as a broker. He spoke with eloquence about volatility cycles, algorithmic trading and insider strategies that promised to turn market unpredictability into consistent profit. The platform he introduced appeared impeccably crafted with real-time charts, seamless dashboards and a professional façade designed to inspire confidence. His promise was irresistible: daily profits, exponential growth and supposedly guaranteed returns. Though instinct urged caution, ambition and misplaced trust compelled me to transfer $85,000 worth of XRP.At first the illusion was flawless. My balance multiplied at a dizzying pace supported by polished reports and reassuring communication. I convinced myself I had made the right decision. But the moment I tried to withdraw the deception unraveled. Excuses surfaced such as verification delays, system maintenance and compliance reviews. The pretexts grew increasingly elaborate until without warning the entire platform disappeared. My login failed, the website dissolved and the so-called broker vanished into digital oblivion. My funds were gone.The financial blow was heavy but the deeper wound was humiliation knowing I had been manipulated so completely. In my desperation to find recourse I discovered Salvage Asset Recovery. Unlike the fraudsters their team projected candor and expertise. They offered no grandiose guarantees, only a clear plan of action: trace the stolen assets across the blockchain, analyze wallet addresses and engage with exchanges to intercept and freeze funds before they vanished into anonymity.Their pursuit was methodical. Using advanced forensic techniques they followed every digital footprint, identified laundering attempts and compiled evidence robust enough to withstand scrutiny. They kept me informed at every stage, never exaggerating progress, only presenting facts. Weeks later against all my expectations, Salvage Asset Recovery succeeded in recovering $70,000 worth of XRP. Though not the entirety of my loss it was an extraordinary victory and proof that justice in the digital wilderness is still possible.This reshaped my perspective. In cryptocurrency greed is the trap and vigilance the shield. Yet with the right expertise recovery can be achieved. For their relentless dedication, integrity and results I remain profoundly indebted to Salvage Asset Recovery. You can connect with them via below
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