Fun fact: This, some 34 years ago, nearly became the title of Pixar’s first short “The Adventures Of André & Wally B.”.
You learn something new every day folks...
*writes a few words, masticates a few more he found reading Doctor Who books*
An ode to the more saccharine yet saltier tasting things in life. Faff and fluff aside, find your own meaning folks.
"A dark man went on shovelling outside the door and all of a sudden I started to cry and I screamed: I'll bite him! I'll go outside and bite him!
I shouldn't do that, Mummy said. He wouldn't under-stand. She screwed the top on to the bottle of Indian ink and said: what about going home?
Yes, I said.
So we went home."
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Grandfather was a clergyman and used to preach to the King. Once, before his children and his children's children and his children's children's children covered the face of the earth, Grandfather came to a long field which was surrounded by forests and hills so that it looked like Paradise. At one end it opened out into a bay for his descendants to bathe in.
Then Grandfather thought, here will I dwell and multiply, for verily this is the Land of Canaan.
Then Grandfather and Grandmother built a big two-storey house with a sloping roof and lots of rooms and steps and terraces and a huge veranda and placed plain wooden furniture everywhere inside and outside the house and when it was ready Grandfather began to plant things until the field became a Garden of Eden where he walked around in his big black beard. All he had to do was to point at a plant and it was blessed and grew until it groaned under its own weight.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
